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  <title>Rugby Art Gallery &amp; Museum</title>
  <link rel="self" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715" />
  <subtitle>Rugby Art Gallery &amp; Museum</subtitle>
  <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715</id>
  <updated>2026-04-05T15:46:38Z</updated>
  <dc:date>2026-04-05T15:46:38Z</dc:date>
  <entry>
    <title>Rugby's giant spider</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=8410059" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=8410059</id>
    <updated>2026-03-25T11:58:31Z</updated>
    <published>2024-06-26T12:32:00Z</published>
    <summary type="html">&lt;h2&gt;&amp;nbsp;&lt;/h2&gt;
    &lt;p&gt;This model is a replica of the Aerial Tuning Inductor from the C
  Building at Rugby Radio Station. The original inductor consisted of a
  framework of copper and wood, forming five coils, each with eight
  turns of cable. Its web-like appearance led to it being commonly known
  as the “spider.”&lt;br&gt; The inductor played a vital role in transmitting
  very low frequency signals. It tuned the aerial to the correct
  frequency, enabling radio signals to be transmitted across the world.
  It was an essential part of a vast system linking the transmitter to
  the aerial masts, allowing global communication through messages and telegrams.&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="62898233" src="https://ragm.co.uk/documents/d/rugby-art-gallery-museum/spider-small"&gt;   &lt;br&gt; &lt;br&gt;
  Rugby Radio Station was established by the General Post   Office in
  1926 at Hillmorton, Rugby. Built on the site of a former   First World
  War airfield, it provided 24-hour radio telegraph   communication
  worldwide. At the time, it was the most powerful station   of its
  kind, equipped with a large water-cooled transmitter (call sign   GBR)
  using 54 thermionic valves.&lt;br&gt; The original inductor was   enormous,
  measuring approximately 6 metres in height and over 8 metres   in
  width. It was constructed by Henley Telegraph Works in Gravesend.
  Due to its size, part of the factory wall had to be dismantled to
  remove the coils and load it onto a lorry to Rugby.&lt;br&gt; When the radio
  station closed in the 2000s, the inductor was donated to the Science
  Museum in London and is now displayed in the Information Age
  Gallery.&lt;br&gt; This smaller replica model, standing 77 cm tall, will be
  on display in a new display 100 Years of Rugby Radio, open from 15
  April to 3 October at Rugby Art Gallery and Museum.&lt;br&gt; &amp;nbsp;&lt;/p&gt;
    &lt;h2&gt;March&amp;nbsp; 2026&lt;/h2&gt;
    &lt;h2&gt;World War II field service jacket&amp;nbsp;&lt;/h2&gt;
    &lt;p&gt;This woollen field service jacket was worn by Captain Gleb
  Kerensky   during his service with the Royal Electrical and Mechanical
  Engineers   in the Second World War, including time spent in The Netherlands.&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="62729231" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/Local+history+jacket+gleb.jpg/36b1fa16-6182-42a6-25db-1ffc27e4eab2"&gt; &lt;/p&gt;
    &lt;p&gt;Born in 1907, Gleb moved from St Petersburg to England in 1920
  and   later made his home in Rugby. A qualified engineer, he
  specialised in   hydro-electric turbines and worked for English
  Electric Company at   Willans Works on Newbold Road during the 1950s
  and 1960s. The valves   he designed ('straightflow' and 'butterfly'
  types) were taken up by   leading manufacturers around the world. He
  was captain of the Works   badminton team and also played on the
  tennis team.&lt;/p&gt;
    &lt;p&gt;Gleb was the son of Alexander Kerensky, who served as head of the
  Russian Provisional Government from March 1917 until the Bolsheviks
  seized power in October of that year. In 1920, at the age of 13, Gleb
  fled Russia with his family after his father was forced into exile for
  fear of his life. His father later settled in the United States. Gleb
  died in Rugby in 1990.&lt;/p&gt;
    &lt;p&gt;The jacket is currently on display in A History of Rugby in 50 Objects.&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;h2&gt;February&amp;nbsp; 2026&lt;/h2&gt;
    &lt;h2&gt;Out on the tiles&lt;/h2&gt;
    &lt;p&gt;This tile was discovered during excavations at Tripontium, a
  small   Roman settlement located about four miles north-east of
  present-day   Rugby. The settlement was established between AD 43 and
  50 along the   major Roman road later known as Watling Street (now the A5).&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="62560035" src="https://ragm.co.uk/documents/d/rugby-art-gallery-museum/ootm-feb-26-2"&gt;   &lt;br&gt; &lt;br&gt;
  Excavations by the Rugby Archaeological Society, led by Jack   Lucas,
  began in the 1960s and continued for over 40 years. They   revealed
  around 70 houses, a large administrative building, a   bathhouse, and
  many artefacts that offer a glimpse into Roman   life.&lt;br&gt; Tiles were
  made locally, air-dried for around three weeks,   and then fired in
  kilns. Before they were fully dry, some were etched   with graffiti or
  markings.&lt;br&gt; The peacock symbol on this tile carries   both pagan and
  early Christian connotations and is often associated   with
  immortality and rebirth. This symbolism stems from the belief   that a
  peacock’s flesh does not decay and that its feathers renew each
  Spring.&lt;br&gt; Along the bottom of the tile are three curved grooves
  known as finger scrolls. These distinctive marks were made by the tile
  maker using their fingers to identify the tiles they had produced.&lt;br&gt;
  The tile is currently on display, along with more fascinating finds,
  in our Local History Gallery exhibition Tripontium: Finds from the
  Stores, until 11 April 2026.&lt;br&gt; &amp;nbsp;&lt;/p&gt;
    &lt;h2&gt;&amp;nbsp;&lt;/h2&gt;
    &lt;h2&gt;&amp;nbsp;&lt;/h2&gt;
    &lt;h2&gt;&amp;nbsp;&lt;/h2&gt;
    &lt;h2&gt;January&amp;nbsp; 2026&lt;/h2&gt;
    &lt;h2&gt;A Chape in the hand....&lt;/h2&gt;
    &lt;p&gt;Chape: A metal plate or mounting on a scabbard or sheath, esp. a
  protection for the point. &amp;nbsp;Etymology is Middle English from
  Anglo-French, cape, from Late Latin cappa.&lt;/p&gt;
    &lt;p&gt;This early medieval scabbard chape, dated to 400–600 AD, was
  recently donated to the Rugby Art Gallery and Museum by metal
  detectorist Kathy Bonehill.&lt;br&gt; The chape, made of copper alloy, once
  formed the protective tip of a scabbard. Its design features a human
  face flanked by two birds.&lt;/p&gt;
    &lt;p&gt;Kathy reflects on her discovery:&lt;/p&gt;
    &lt;p&gt;“I’ve been metal detecting in the Warwickshire countryside with a
  regular group for the past couple of years, uncovering some
  fascinating items along the way. Yet nothing quite compares to this
  stunning dagger chape.&lt;img data-fileentryid="62369087" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/chape+in+the+hand+small.jpg/e84ed4ca-4925-4186-cee9-24bc49db4ab9" style="height: auto;width: 230.0px;display: block;margin-left: auto;margin-right: auto;" width="230"&gt;I found it on the very edge of a farmer’s field in Kings
  Newnham. At first, it was clagged with dirt, its beautiful detail
  hidden beneath layers of grime. Only after an hour of patient work
  with a wooden cocktail stick did the design begin to emerge — and I
  realised I was holding something truly special, perhaps even unique.&lt;/p&gt;
    &lt;p&gt;There’s a thrill in moments like this: the slow reveal of
  craftsmanship long buried, the sense of connection to lives lived
  centuries ago.”&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;p&gt;Read more about the chape at&amp;nbsp;&lt;/p&gt;
    &lt;p&gt;https://www.bbc.co.uk/news/articles/cgjnz218vp5o&lt;br&gt; &amp;nbsp;&lt;/p&gt;
    &lt;h2&gt;December 2025&lt;/h2&gt;
    &lt;h2&gt;Methe- personification of drunkeness&lt;/h2&gt;
    &lt;h2&gt;&amp;nbsp;&lt;/h2&gt;
    &lt;p&gt;Measuring just 12 mm by 10 mm, this tiny cornelian gemstone is
  engraved with Methe, the personification of drunkenness in
  Greekmythology. You can just see the tiny stone in the left hand
  corner of the display case shown.&amp;nbsp; Methe is raising a vessel as though
  about to drink from it, while a palm branch lies before her,
  symbolising triumph over intoxication. It is one of three similar
  intaglios discovered in the bathhouse drain during excavations at the
  nearby Roman settlement of Tripontium.&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="62243901" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/intaglio+small2.png/74ced862-e039-e7be-e4c4-3ce5cfa2bdb0"&gt;
  &lt;br&gt; &amp;nbsp;&lt;/p&gt;
    &lt;p&gt;Dating to the first century AD, it has a flat base and bevelled
  edge, suggesting it was likely set into a signet ring. In Roman
  society, intaglios such as this were used as personal seals or amulets
  and were fixed onto rings with clay or wax. It is possible that the
  heat of the bathhouse softened the glue, washing the gem into the
  drain.&amp;nbsp; Or perhaps it was lost in a moment of drunkeness!&lt;br&gt; The
  intaglio is currently on display in Tripontium: Finds from the Stores
  in the Local History Gallery until 11 April 2026.&lt;/p&gt;
    &lt;h2&gt;&amp;nbsp;&lt;/h2&gt;
    &lt;h2&gt;November 2025&lt;/h2&gt;
    &lt;h2&gt;Treasure in that there Birdingbury : Early pennanular brooch&lt;/h2&gt;
    &lt;h2&gt;&amp;nbsp;&lt;/h2&gt;
    &lt;p&gt;This Early Medieval penannular brooch, discovered in Birdingbury
  in   2023, remains an impressive find despite being in several
  fragments.   It dates from around 700–800 AD.&amp;nbsp; The uniquely crafted
  brooch is made   of silver and is decorated with panels of gold
  filigree inlay.&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="62017815" src="https://ragm.co.uk/documents/d/rugby-art-gallery-museum/floor-one-web-square-pin" style="display: block;margin-left: auto;margin-right: auto;"&gt;The word
  penannular means "incomplete ring". Brooches such as this
  were used to fasten loosely woven garments and were also a symbol of
  the owner's wealth and status. When assembled, the surviving parts
  measure approx. 7 cm. Although only two fragments of the pin remain,
  it would have originally featured a longer pin, loosely attached at
  the top of the ring to allow for fastening the pin at different
  angles.&lt;br&gt; The brooch was recently acquired with support from the
  Arts Council England/V&amp;amp;A Purchase Grant Fund and is currently on
  display at Rugby Art Gallery and Museum as part of A History of Rugby
  in 50 Objects.&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;h2&gt;October 2025&lt;/h2&gt;
    &lt;h2&gt;Interior Designs : Roman Style&lt;/h2&gt;
    &lt;h2&gt;Roman painted wall plaster fragments&lt;/h2&gt;
    &lt;p&gt;This month’s featured object is a selection of painted wall
  plaster   fragments from Tripontium.&amp;nbsp;&lt;br&gt; Tripontium was a small Roman
  settlement about four miles north-east of present-day Rugby which was
  established between 43–50 AD along the major Roman road later known as
  Watling Street (now the A5).&lt;img data-fileentryid="61815510" src="https://ragm.co.uk/documents/d/rugby-art-gallery-museum/plaster"&gt;   &lt;br&gt; &lt;br&gt;
  Excavations led by Jack Lucas and the Rugby Archaeological   Society
  began in the 1960s and continued over 40 years. They revealed   around
  70 houses, a large administrative building, a bathhouse, and   many
  artefacts—including fragments of decorated wall plaster.&lt;br&gt; The
  plasters and mortars used in these wall finishes were lime-based
  mixtures combined with sand and gravel. Colour was added using natural
  pigments such as red and yellow from ochres and green from green earth
  (primarily glauconite).&lt;br&gt; Lighter shades were achieved by adding
  more lime, while darker tones were created by using soot or charcoal.
  The only synthetic and likely imported pigment was Egyptian blue,
  often darkened using charcoal powder.&lt;br&gt; The painted decoration
  typically imitated stone panels or featured coloured borders in
  classical styles—echoing Roman artistic traditions.&lt;br&gt; You can see
  these wall plaster fragments and other fascinating finds in our new
  exhibition opening on the 8th Oct, Tripontium: Finds from the Stores
  in the Local History Gallery at Rugby Art Gallery and Museum, as well
  as in our permanent Archaeology Gallery display.&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;h2&gt;September 2025&lt;/h2&gt;
    &lt;h2&gt;The Light of Wisdom&lt;/h2&gt;
    &lt;h2&gt;A glass plate negative of advertising hoardings lit by Mazda
  lamps   &amp;nbsp;produced by the British Thomson-Houston (BTH) company, 1924&lt;/h2&gt;
    &lt;p&gt;This month’s object of the month is chosen by Fatima Krida.
  Fatima   volunteered with us over the summer repacking some of our
  glass plate   negative collection from the publicity department at
  British Thomson Houston.&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="61659073" src="https://ragm.co.uk/documents/d/rugby-art-gallery-museum/mazda-ootm"&gt;A glass plate
  negative of advertising hoardings lit by Mazda lamps&amp;nbsp; produced by the
  British Thomson-Houston (BTH) company, 1924.&amp;nbsp;&lt;/p&gt;
    &lt;p&gt;Glass plate negatives, coated with a light-sensitive emulsion,
  were   a popular photographic medium in the late 19th and early 20th
  centuries, preceding film as the primary medium for capturing images
  in photography. This particular negative, featuring a row of posters
  on a street in Glasgow, lit by Mazda lamps, offers a rare glimpse into
  the visual marketing of electric lighting during a time of rapid
  technological change.&amp;nbsp;&lt;/p&gt;
    &lt;p&gt;Named after the universal God of Zoroastrianism, Ahura Mazda,
  whose   name means ‘light of wisdom’ in the Avestan language, the
  Mazda lamp   and brand symbolised innovation and modernity. BTH, a
  major player in   the UK’s electrical industry, played a significant
  role in   popularising such technologies. The company’s main factory
  was in   Rugby and opened in 1902. BTH became a local staple,
  employing   thousands of local people and becoming known primarily for
  their   electrical systems and steam turbines. This fragile yet
  powerful   artifact connects us to an era when electricity was
  transforming daily   life. It stands as both a historical document and
  a testament to the   craftsmanship of early photography and
  engineering.&amp;nbsp;&lt;br&gt; &amp;nbsp;&lt;/p&gt;
    &lt;p&gt;Highlights include a working brass lock, silver cutlery, a
  toothbrush, a reel of cotton (just 4mm long!), a toy train carriage,
  and a chocolate box.&lt;br&gt; Built in the early 1920s for Queen Mary, the
  wife of King George V and grandmother of Queen Elizabeth II, the
  doll’s house has over 40 fully furnished room&lt;/p&gt;
    &lt;h2&gt;August 2025&lt;/h2&gt;
    &lt;h2&gt;Teeny Tiny!&lt;/h2&gt;
    &lt;h2&gt;Doll's House miniatures&lt;/h2&gt;
    &lt;p&gt;As they are so tiny, this month we’re showcasing 14 miniature
  items   made for the Queen Mary’s dolls’ house – each crafted to a
  1:12 scale.   Highlights include a working brass lock, silver cutlery,
  a toothbrush,   a reel of cotton (just 4mm long!), a toy train
  carriage, and a   chocolate box.&lt;br&gt; Built in the early 1920s for
  Queen Mary, the wife   of King George V and grandmother of Queen
  Elizabeth II, the doll’s   house has over 40 fully furnished rooms,
  including libraries,   kitchens, bedrooms, and even automated lifts.&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="61442777" src="https://ragm.co.uk/documents/d/rugby-art-gallery-museum/2005-51-4_d02" style="display: block;margin-left: auto;margin-right: auto;"&gt;   &lt;br&gt;
  It was designed by prominent architect Sir Edwin Lutyens and was
  intended as ‘a symbol of national goodwill realised through the
  generous workmanship of many hands’. &amp;nbsp;Among these many hands were
  Parnell’s of Rugby who built the House, and The Twining Model Co. of
  Northampton who made some of the miniatures along with leading
  manufacturers of the period such as Bryant and Mays, Rowntree’s,
  Coats, and Garrard &amp;amp; Co. It was exhibited at the British Empire
  Exhibition 1924-1925 and is still on display at Windsor Castle today.&amp;nbsp;&lt;/p&gt;
    &lt;p&gt;   &lt;br&gt; The exterior shell of the dolls’ house was constructed at
  Parnell’s workshop in Oliver Street, Rugby before being moved to
  Lutyens’ home in London where it remained until it was finished two
  years later. The members of the Parnell’s team listed in the 1925
  Catalogue of Queen Mary’s Dolls’ House who worked on the house were:
  Mr. T. Woodward (foreman), Mr. H. Carter, Mr. H. Mayo, Mr. Robert
  Hudson, Mr. T. Abot, Mr. T. Coles, Mr. T. Halliwell, Mr. E. C. Hudson,
  Mr. T. Lord, Mr. W. Mutch, Mr. R. Reynolds, Mr. F. Sparkes, &amp;nbsp;Mr. E.
  Stretton, and Mr. F. Upstone.&amp;nbsp;&lt;br&gt; Parnell’s was founded c. 1850 by
  John William Parnell, a noteworthy Rugby Methodist. The company worked
  all over England on projects such as Lindesfarne Castle (with Lutyens)
  and Keeble College, Oxford, and in Rugby: Rugby School Chapel and the
  alterations to St. Andrew’s Church.&amp;nbsp;&lt;br&gt; Our miniature objects are
  currently on display as part of the Great and Small exhibition, until
  6th September.&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;h2&gt;July 2025&lt;/h2&gt;
    &lt;h2&gt;A building a credit to the town!&lt;/h2&gt;
    &lt;h2&gt;The Assembly Rooms Rugby&lt;/h2&gt;
    &lt;p&gt;This pencil drawing shows the interior of the Assembly Room in
  Rugby’s Town Hall, designed by Coventry architect James Murray
  (1831–1863).&lt;br&gt; Murray was a prominent figure in Victorian
  architecture, becoming a Fellow of the Royal Institute of British
  Architects (RIBA) at just 28. For a time, he worked in London
  alongside Welby Pugin, son of the renowned architect Augustus Pugin,
  before returning to Coventry. Despite his short life—he died at only
  32—Murray was remarkably prolific, designing numerous buildings
  locally and across the country.&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="61233836" src="https://ragm.co.uk/documents/d/rugby-art-gallery-museum/murray4-edit-"&gt;   &lt;br&gt; &amp;nbsp;&lt;/p&gt;
    &lt;p&gt;Rugby’s Town Hall and its covered market were built on High
  Street   in 1858. The Town Hall officially opened on Easter Tuesday,
  6th April   1858, with a Public Dinner attended by over 200 people. At
  the event,   the chairman of the Rugby Town Hall Company, Mr. J.A.
  Campbell, told   attendees in a speech: “You have a beautiful hall, a
  capacious market,   a building of credit to the town, a credit to the
  shareholders and a   credit to the architect.”&lt;/p&gt;
    &lt;p&gt;   &lt;br&gt; Sadly, most of the building was destroyed in a fire in
  1921.&amp;nbsp;&lt;br&gt;   This drawing is currently on display as part of the
  Collecting Rugby   exhibition at Rugby Art Gallery and Museum until
  4th October.&amp;nbsp;&lt;br&gt; &amp;nbsp;&lt;/p&gt;
    &lt;h2&gt;June 2025&lt;/h2&gt;
    &lt;h2&gt;Read all about it&lt;/h2&gt;
    &lt;h2&gt;Dressed to print!&lt;/h2&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;p&gt;This dress is printed with pages from the Rugby Advertiser, dated
  19th June 1925 and 21st January 1927. The print includes a variety of
  advertisements typical of the time—announcements for local events such
  as the Monks Kirby Farmers’ Club Annual Show at Newbold Revel on 27th
  June, property sales including Staverton Hall, and commercial adverts
  for businesses like Muriel Moulds Beauticians at 8 Market Place. Also
  featured are notices for upcoming sales at the Rugby Cattle Market and
  public information such as entrance exams for Lawrence Sheriff
    School.&lt;img data-fileentryid="61055401" src="https://ragm.co.uk/documents/d/rugby-art-gallery-museum/2004-207_d02" style="float: right;"&gt;   &lt;br&gt; &lt;br&gt; In 1925, the Rugby Advertiser was
  published twice a week, on   Tuesdays and Fridays.&lt;br&gt; The newspaper’s
  first edition was issued on   7th March 1846 and was originally
  published monthly. It was founded by   William Ironside Tait
  (1806–1875), then Master of Thomas Caldecott’s   School and a keen
  printer. Tait set up his press a few years after the   arrival of the
  London and Birmingham Railway in Rugby. Recognising the   town's
  growing commercial activity, he saw the need for a local
  newspaper.&lt;br&gt; The dress itself is made from thin white cotton. Its
  simple, unfitted style and sash are both typical of the fashion of the
  era.&lt;br&gt; It is likely that it was created as a promotional piece for
  the Rugby Advertiser. Similar garments were worn at fundraising events
  organised by British Thomson-Houston in Rugby in the 1930s.&lt;br&gt; The
  dress is currently on display in Collecting Rugby at Rugby Art Gallery
  and Museum until 4th October.&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;h4&gt;&amp;nbsp;&lt;/h4&gt;
    &lt;h2&gt;&amp;nbsp;May 2025&lt;/h2&gt;
    &lt;h2&gt;This is V Day!&lt;/h2&gt;
    &lt;h2&gt;A momentous occasion recorded in daily life&lt;/h2&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;h3&gt;   &lt;strong&gt;Joe Parriss's 1945 diary&lt;/strong&gt; &lt;/h3&gt;
    &lt;p&gt;   &lt;br&gt; To mark the 80th anniversary of VE Day - the end of the
  war in   Europe on 8th May - this month’s featured object is the
  personal diary   of Joseph (Joe) Parriss (1862-1951), from the year
  1945.&lt;br&gt; &lt;img data-fileentryid="59845616" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/dmas_+2005.194_d01.jpg/b707b424-bbf1-f99c-59d6-eb405e43883a"&gt;
  &lt;br&gt; The diary offers a glimpse into Joe's day-to-day life during the
  final year of the Second World War. His entries often note the weather
  and local outings but it’s the entry on 8th May that stands out as he
  joyfully notes: “THIS IS V DAY.” The Parriss family marked the
  occasion by attending a thanksgiving service at church and by
  listening to King George VI, Winston Churchill, and Field Marshal
  Montgomery on the wireless.&lt;br&gt; Another key moment appears in the
  entry for 15th August—VJ Day—when Joe records the surrender of Japan,
  which brought the war to an end.&lt;br&gt; This diary is part of a
  collection of diaries written by Joseph and his children —Lily, Lucy,
  Nellie, and Ernest held in the museum’s social history collection. The
  Parriss family ran a long-established jeweller’s shop on Regent Street
  in Rugby, with another branch in Leamington Spa.&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;p&gt;Diary Entry May 1945:&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="59845639" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/dmas_2005.194_d02d.jpg/90857fd7-98fd-16ae-f7e8-9480704d99e9"&gt;
  &lt;br&gt; &amp;nbsp;&lt;/p&gt;
    &lt;p&gt;April 2025&lt;/p&gt;
    &lt;h4&gt;Home sweet home for a nice cup of tea&lt;/h4&gt;
    &lt;p&gt;This small teapot originally belonged to the Hough family, who
  lived at Braunston Marina and worked on the canal. Teapots like this
  one were a common feature in the cabins of canal families and often
  handed down through the generations.&lt;img data-fileentryid="58006774" src="https://ragm.co.uk/documents/d/rugby-art-gallery-museum/2004-11-1_d01" style="height: auto;width: 295.0px;display: block;margin-left: auto;margin-right: auto;" width="295"&gt;This distinctive style of pottery is known as Measham ware
  or Barge ware and was produced in the late 1800s at Measham on the
  Ashby Canal in Leicestershire. Measham ware also made other household
  items, such as jugs, pots, and jars for domestic use on canal boats.
  The type of glaze is known as treacle ware because of its rich, glossy
  brown finish. During production items could be personalised with a
  sentiment or family name. This one is embossed with the words “Home
  Sweet Home,” surrounded by decorative motifs of flowers and birds.
  Standing at just 16cm in height, the teapot has a miniature teapot
  finial on the lid, although it is sadly damaged at the handle. By
  1910, production of Measham ware had ceased as interest in this style
  began to decline.&lt;/p&gt;
    &lt;p&gt;You can see this teapot as part of our new social history display
  Collecting Rugby, from 9th April to 4th October.&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;h3&gt;March 2025&lt;/h3&gt;
    &lt;h4&gt;Bellows to blow you away!&lt;/h4&gt;
    &lt;p&gt;These hefty bellows, measuring 150cm in length, were donated to
  the   museum in 2022. They came from the forge at Willoughby near
  Rugby   where they had been used until the 1970s by Fred Wooldridge.&amp;nbsp;&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="55335648" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/bellows+in+situ+.jpg/743a386a-3d46-ab95-4223-1113baa157da" style="height: auto;width: 372.0px;float: right;" width="372"&gt;
  &lt;br&gt; During the Second World War, the forge was kept busy with the
  repair of farm machinery. The bellows would have been in constant use
  to keep the metal hot in the fire. Fred’s routine involved travelling
  between two locations on his motorcycle with a sidecar. On Mondays,
  Wednesdays, and Fridays, he worked in Willoughby, and on Tuesdays,
  Thursdays, and Saturdays, he worked at the forge in Harborough Magna.&lt;/p&gt;
    &lt;p&gt;By the early 1950s, the demand for blacksmiths to repair farm
  machinery began to decline. This was due to the introduction of light
  tractors, like the Little Grey Ferguson. The work at the forge changed
  to the shoeing of horses used for riding rather than farm work. &amp;nbsp;By
  then Fred just had the forge at Willoughby, working six days a week.&lt;/p&gt;
    &lt;p&gt;Fred finally retired in 1972, bringing an end to his working life
  as a blacksmith.&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;h3&gt;February 2025&lt;/h3&gt;
    &lt;h4&gt;   &lt;strong&gt;A key for Alms&lt;/strong&gt; &lt;/h4&gt;
    &lt;p&gt;This chunky key, measuring 13cm in length, is from alms house
  number 1 that stood in Church Street in Rugby.&amp;nbsp;&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="53035272" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/key.jpg/72cb2308-ce5c-e3cb-48cc-bab358d56251"&gt; &lt;/p&gt;
    &lt;p&gt;Alms houses were built to provide accommodation for the elderly
  and   poor, often established by wealthy benefactors who were keen to
  support their local communities as part of their legacy.&amp;nbsp;&lt;/p&gt;
    &lt;p&gt;Rugby-born merchant Lawrence Sheriff (c1515-1567), a prominent
  trader in spices and goods and a member of Queen Elizabeth’s court,
  left funds in his will towards the building of four alms houses and a
  grammar school in Rugby.&amp;nbsp;&lt;/p&gt;
    &lt;p&gt;The school, originally founded in a room adjacent to or part of
  Sheriff’s family home on Church Street, near St. Andrew’s Church, was
  relocated to its present location in 1740 and became known as Rugby School.&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="53035294" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/picture+of+alms+houses+before+they+were+demolished.jpg/3dd7717b-0a2c-efe4-33bf-b2ee335f7fb1"&gt;
  &lt;br&gt; &lt;br&gt; The first four of what would eventually become twelve alms
  houses were built opposite the church. These houses were rebuilt and
  extended in the nineteenth century, but all twelve were demolished in
  the early 1960s to make way for a parade of shops.&lt;br&gt; &amp;nbsp;&lt;/p&gt;
    &lt;h4&gt;&amp;nbsp;&lt;/h4&gt;
    &lt;h4&gt;&amp;nbsp;&lt;/h4&gt;
    &lt;h3&gt;January 2025&lt;/h3&gt;
    &lt;p&gt;   &lt;strong&gt;Grindr - Roman Style&lt;/strong&gt; &lt;/p&gt;
    &lt;p&gt;This month’s object of the month is a large worked stone that has
  recently been donated to the museum.&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="51521782" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/worked+stone+from+Cotswold+Archaeology+report+%281%29.jpg/7c4e04d0-d890-8c66-149e-6f9d3beb92f4" style="height: auto;width: 221.656px;float: right;"&gt;Between 2015 and
  2019 Cotswold Archaeology carried out an extensive archaeological
  excavation of the land ahead of the Houlton development to the east of Rugby.&lt;/p&gt;
    &lt;p&gt;Most of the finds discovered are Roman, the majority of which are
  pottery, glass, hobnails, carpentry nails and various worked stones,
  including this one which dates to the 2nd century.&lt;/p&gt;
    &lt;p&gt;The stone is broken into six fragments. The grinding area has
  evenly spaced pock marks across the surface, and it measures roughly
  74cm in diameter (but it is not perfectly circular).&lt;/p&gt;
    &lt;p&gt;It is likely the stone originally ground grain with human or
  animal   power, but it was found with other worked stones within the
  backfill   of a corn dryer oven. Corn dryers were commonly used on
  rural Roman   sites to heat and dry newly harvested grain so that it
  could be stored   over winter. Discarded or broken worked stones made
  useful building   materials for a corn dryer structure.&lt;/p&gt;
    &lt;p&gt;This stone is currently in the ‘What’s New?’ display at Rugby Art
  Gallery and Museum, featuring a selection of recent acquisitions to
  the museum, on until 5th April 2025.The object of the month this month
  is a tree-mendously old Christmas t&lt;u&gt;r&lt;/u&gt;ee bought in 1924.&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;h3&gt;December 2024 Object of the Month&lt;/h3&gt;
    &lt;p&gt;   &lt;strong&gt;100 year old Christmas Tree: It's
  tree-mendous!&lt;/strong&gt; &lt;/p&gt;
    &lt;p&gt;The one-hundred-year-old tree was owned by George Faulkner (who
  passed away in 2016) and his wife Margery who was originally given the
  tree by her mother who had purchased it from Woolworths in Rugby for
  just 6d.&lt;img data-fileentryid="45694384" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/IMG_0066.jpg/6b7553e1-608f-1f83-7f97-080e0d9436ab"&gt; &lt;/p&gt;
    &lt;p&gt;The Woolworths shop in Rugby first opened on High Street in
  October   1922. The Rugby Advertiser reported on the first day of
  opening that   from 7:15am people had started to arrive with several
  hundred outside   before the store opened at 9am. The new shop
  “thronged all day with an   eager crowd anxious to secure the bargains
  offered for sale.”&lt;/p&gt;
    &lt;p&gt;The American grocers and household chain had arrived in the UK in
  1909 and for many years every product sold had the price limit of
  sixpence, using the slogan in its adverts ‘Nix over six’.&lt;/p&gt;
    &lt;p&gt;This little tree measures less than a metre high and includes the
  decorations that had been owned by Margery and her mother. On the ends
  of some of the branches there are candle holders so real candles could
  be added.&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;img data-fileentryid="45694322" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/box.jpg/11bdbf48-024f-e593-1df0-1cb9443f3f54" style="height: auto;width: 226.0px;" width="226"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;img data-fileentryid="45694428" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/tree.jpg/266838b0-16a1-26c9-d543-b58099024523" style="height: auto;width: 213.0px;" width="213"&gt;   &lt;br&gt; &amp;nbsp;&lt;/p&gt;
    &lt;p&gt;Christmas tree traditions started in this country thanks to
  Prince   Albert bringing the custom of a decorated tree over from
  Germany and   the idea caught on with the Victorians.&lt;/p&gt;
    &lt;p&gt;Woolworths were the first to sell mass produced artificial trees
  in   the 1920s making this tree one of the oldest of its kind.&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;h3&gt;November 2024 Object of the Month&lt;/h3&gt;
    &lt;p&gt;   &lt;strong&gt;Protesting the Ban:&amp;nbsp;A Public Outcry!&lt;/strong&gt; &lt;/p&gt;
    &lt;p&gt;The object of the month for November is a photograph of a protest
  march along Evreux Way which took place in Rugby 40 years ago this month.&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="9099378" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/dmas_EF2432.3_d01+i+%281%29.jpg/a5edd032-4717-9e6b-59ac-5bacda5cc49c"&gt;
  &lt;br&gt; &amp;nbsp;&lt;/p&gt;
    &lt;p&gt;Rugby Borough Council had recently introduced an equal
  opportunities policy, stating there should be no discrimination on the
  grounds of race, nationality, sex, religious beliefs, marital status
  or sexual orientation. When it was voted on at a council meeting in
  September 1984 an amendment was carried to delete sexual orientation
  from the policy.&lt;/p&gt;
    &lt;p&gt;There was a public outcry and a campaign, ‘Stop the lesbian and
  gay   ban’ was formed, led by Councillor Jeff Coupe (wearing an
  armband in   the photo). The rally and march were organised for 10th
  November 1984   and saw a thousand people attend from across the
  country, including   gay rights groups and NALGO, the local government union.&lt;/p&gt;
    &lt;p&gt;During the rally at the Benn Hall, MP Chris Smith gave a speech.
  Introducing himself, he said “&lt;i&gt;My name is Chris Smith. I’m
    the&amp;nbsp;Labour&amp;nbsp;MP for Islington South and Finsbury, and I’m gay”
  &lt;/i&gt;making history as the first openly gay MP in the country.&lt;/p&gt;
    &lt;p&gt;In February 1985 the dispute finally came to an end with a new
  policy statement drawn up by the council which included the paragraph:
  ‘The council has no procedures or recruitment practices to
  discriminate against existing employees or job applicants on the
  grounds of sexual orientation and will appoint and promote the best
  qualified, the most capable and the most suitable candidates.’&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;h3&gt;October Object of the Month&lt;br&gt; &lt;strong&gt;Roman
  Chatelaine&lt;/strong&gt; &lt;/h3&gt;
    &lt;p&gt;   &lt;strong&gt;The Roman Make up Bag!&lt;/strong&gt; &lt;/p&gt;
    &lt;p&gt;This delightful chatelaine brooch is made of copper alloy and
  decorated with blue and yellow petal shaped enamel pieces.&amp;nbsp; It was
  found at the Roman settlement of Tripontium (4 miles north-east of
  present day Rugby). The site was excavated by the Rugby Archaeological
  Society over a 40-year period.&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="8951053" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/RBC+MUSEUM-44+%281%29.jpg/f5b1c17d-ddeb-0b48-6966-f3bf579729d2"&gt;
  &lt;br&gt; &amp;nbsp;&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;p&gt;The brooch dates from the late 1st – early 2nd Century and would
  have served a practical use, for holding small tools for the lady of
  the house to use for personal grooming. Examples included: nail files,
  tweezers, nail cleaners/toothpick, ear scoop and cosmetic spoon. Roman
  make up was mixed and applied using spoons. Cleanliness was an
  important part of Roman culture. Unfortunately, this brooch wasn’t
  found with any tools attached and it is missing the horizontal bar
  along the bottom to suspend tools from.&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;It is possible that chatelaine brooches were also seen as status
  symbols for the female that owned them having a high position in a
  household. Brooches such as this were exclusively female items.&lt;/p&gt;
    &lt;p&gt;The type of jewellery at Tripontium is very similar to that found
  over the rest of Roman Britain. It also includes rings, bracelets and
  necklaces, many of which were made of glass or bronze.&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;p&gt;The brooch and some examples of cosmetic tools are on display in
  the Archaeology Gallery at Rugby Art Gallery and Museum.&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;h3&gt;SEPTEMBER Object of the Month&lt;br&gt; &lt;strong&gt;"Get your Apples
    and Oranges!"&lt;/strong&gt; &lt;/h3&gt;
    &lt;p&gt;   &lt;strong&gt;'Rugby Market Place' by Joseph Pike&lt;/strong&gt; &lt;/p&gt;
    &lt;p&gt;The object of the month for September is this delightful pencil
  drawing ‘Rugby Market Place’ by Joseph Pike (1883-1956).&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="8728545" src="https://ragm.co.uk/documents/d/rugby-art-gallery-museum/2008-8"&gt; &lt;/p&gt;
    &lt;p&gt;This drawing is included in the book 'Rugby: A Series of Pencil
  Sketches' by Joseph Pike, published by A &amp;amp; C Black of London in 1930.&lt;/p&gt;
    &lt;p&gt;Similar books had already been illustrated on Chester, Stratford,
  and Bruges.&lt;/p&gt;
    &lt;p&gt;Pike visited Rugby and met with local bookseller George Over to
  get   an understanding of the scenes in the town he should capture for
  the   book. Over half the illustrations feature Rugby School. The
  introduction covers the town’s history, with a particular focus on the
  school, which was written by H.C Bradby, an assistant master there
  from 1892-1929.&lt;br&gt; &amp;nbsp;&lt;/p&gt;
    &lt;p&gt;The pencil drawing captures stalls on a market day in Market
  Place,   as the book tells us:&lt;/p&gt;
    &lt;p&gt;“Rugby's principal market is for cattle, and is held on Mondays
  in   huge yards near the L.M.S. Station: but on a Saturday we shall
  find   stalls of fruit and vegetables and fish and clothing standing
  in the   Market Place, and the country people coming to buy, on the
  same ground   and in the same fashion as their forefathers bought and
  sold ever   since Henry Ill granted a market by Charter.”&lt;/p&gt;
    &lt;p&gt;The idyllic scenes also hint at contemporary life with the
  inclusion of the motor car and marketgoers in fashions of the era.&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;p&gt;Pike was an established commercial artist, known for his pencil
  drawings of street scenes, churches and landmarks across the country,
  which were widely reproduced in books and postcards. He exhibited at
  the Royal Academy in Summer 1924 with a drawing of the Old Curiosity
  Shop in London, as immortalised by Charles Dickens. His address in the
  Royal Academy brochure is given as ‘Brook Green Studios’ which refers
  to the art school that had recently been opened in Hammersmith by the
  artist Leon Underwood.&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;p&gt;This drawing, along with several others by Pike appear in
  ‘Picturing Rugby’, on now at Rugby Art Gallery and Museum until 5th October.&lt;/p&gt;
    &lt;p&gt;&amp;nbsp;&lt;/p&gt;
    &lt;h2&gt;AUGUST Object of the Month&lt;/h2&gt;
    &lt;p&gt;   &lt;strong&gt;Pig in a ditch?&lt;/strong&gt; &lt;/p&gt;
    &lt;p&gt;   &lt;strong&gt;Roman lead pig found in ditch alongside Watling
  Street&lt;/strong&gt; &lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="8591702" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/lead+pig+%281%29.jpg/6dec760d-b234-623d-fa31-78110e39aa1b"&gt;
  &lt;br&gt; &amp;nbsp;&lt;/p&gt;
    &lt;p&gt;This impressive lead pig (or ingot) was excavated at the site of
  Tripontium from a ditch alongside the Roman road of Watling Street
  (now the A5).&amp;nbsp;&lt;br&gt; Tripontium was a small Roman settlement first
  established between 43-50AD. It straddled Watling Street - the busy
  imperial highway which ran from London to Wroxeter and Chester. The
  route was in constant use by the Imperial Postal Service, who would
  stop at settlements like Tripontium to get fresh horses. Other
  travellers and army personnel also stopped there for shelter, food and
  to have a bath in the bath house.&lt;/p&gt;
    &lt;p&gt;The ingot is inscribed SOCIOR LVT BR EX ARG, which translates
  fully   as ‘product of Lutudarensian partners; British lead from the
  lead-silver works’. This tells us that it was produced in the mine of
  Lutudarum, which was located close to Crich in Derbyshire. The shape
  and imperial stamp on the top of the ingot establishes it to be of
  Roman origin. This type of imperial stamp went out of use after
  163-169AD, so we know that it predates this period. It is likely that
  it was a part of a batch, en route to London. Nearly 60cm in length
  and at a weighty 79kg (143lb) one theory is that it fell from a cart
  and was too heavy to retrieve.&amp;nbsp;&lt;/p&gt;
    &lt;p&gt;Lead was mined in Derbyshire from the Bronze Age until the
  mid-19th   century. The wealth of minerals, including lead and silver,
  was a   major factor in the Romans expansion into Britain. Lead was
  used to   make piping, gutters and was alloyed with tin to make
  pewter. Silver   was extracted from the lead and was used in the
  production of Roman coins.&amp;nbsp;&lt;/p&gt;
    &lt;p&gt;   &lt;br&gt; The ingot is one of 50 objects on display as part of ‘A
  History   of Rugby in 50 Objects’ on now at Rugby Art Gallery and Museum.&amp;nbsp;&lt;/p&gt;
    &lt;h2&gt;July Object of the Month&lt;/h2&gt;
    &lt;p&gt;   &lt;strong&gt;Meet Mr Benn&lt;/strong&gt; &lt;/p&gt;
    &lt;p&gt;   &lt;strong&gt;"As if by magic ... the shopkeeper
  appeared"&lt;/strong&gt; &lt;/p&gt;
    &lt;p&gt;This panel came from a section of a door at Bennfield House.&amp;nbsp;&amp;nbsp;The
  house was built in North Street, Rugby in 1669 and was the home of the
  Benn Family.&amp;nbsp;&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="8410064" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/dmas_2009.16_d01+reduced+size.png/b7bbc914-28b5-853d-123c-a09f07c87b2f"&gt; &lt;/p&gt;
    &lt;p&gt;   &lt;br&gt; The Benns were a wealthy local family. Thomas and Maria
  Benn were   married in 1813 and had five sons. The sons gave a lot to
  local   concerns, funding building work on St Andrews Church, local
  schools   and the building of the clocktower. Because the brothers
  never   married, whatever fortunes they had passed down the line to
  the   youngest, George, being the last to die in 1895. In his will
  were many   bequests to local charities and organisations. He also
  left the deeds   to the Shoulder of Mutton Inn to the town and a
  bequest to the local   board for the provision of ‘town buildings’.
  This was built on the   site of the Inn on High Street and was known
  as the Benn Building. The   council offices were relocated to their
  new site on Evreux Way in the   1960s with the adjoining venue the
  Benn Hall.&lt;br&gt; The glass panes   feature two paintings: the larger one
  shows the George Inn, Market   Place, Rugby c. 1810. The inn was built
  in the 1650s and demolished or   destroyed by a fire in the 1840s and
  a new hotel was built on the   site. In 1954 the hotel was replaced
  with shops.&lt;br&gt; The smaller pane   shows a lady carrying a basket. The
  high waistline of her dress and   apron date it to the Regency
  fashions of the early 1800s.&amp;nbsp;&lt;br&gt; The   panel is on display in our
  current temporary exhibition ‘Picturing   Rugby’ on until 5th October
  in the Local History Gallery.&amp;nbsp;&lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2024-06-26T12:32:00Z</dc:date>
  </entry>
  <entry>
    <title>This is VE Day!</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=8199617" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=8199617</id>
    <updated>2025-04-30T13:38:34Z</updated>
    <published>2024-05-28T11:07:00Z</published>
    <summary type="html">&lt;h3&gt;   &lt;strong&gt;Joe Parriss's 1945 diary&lt;/strong&gt; &lt;/h3&gt;
    &lt;p&gt;   &lt;br&gt; To mark the 80th anniversary of VE Day - the end of the
  war in   Europe on 8th May - this month’s featured object is the
  personal diary   of Joseph (Joe) Parriss (1862-1951), from the year 1945.&lt;/p&gt;
    &lt;p&gt;Th&lt;img data-fileentryid="59845616"
    src="https://ragm.co.uk/documents/portlet_file_entry/1245344/dmas_+2005.194_d01.jpg/b707b424-bbf1-f99c-59d6-eb405e43883a"
  width="274"&gt;e diary offers a glimpse into Joe's day-to-day life during
  the final year of the Second World War. His entries often note the
  weather and local outings but it’s the entry on 8th May that stands
  out as he joyfully notes: “THIS IS V DAY.” The Parriss family marked
  the occasion by attending a thanksgiving service at church and by
  listening to King George VI, Winston Churchill, and Field Marshal
  Montgomery on the wireless.&lt;br&gt; Another key moment appears in the
  entry for 15th August—VJ Day—when Joe records the surrender of Japan,
  which brought the war to an end.&lt;br&gt; This diary is part of a
  collection of diaries written by Joseph and his children —Lily, Lucy,
  Nellie, and Ernest held in the museum’s social history collection. The
  Parriss family ran a long-established jeweller’s shop on Regent Street
  in Rugby, with another branch in Leamington Spa.&lt;/p&gt;
    &lt;p&gt; &lt;/p&gt;
    &lt;p&gt;Diary Entry May 1945:&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="59845639"
  src="https://ragm.co.uk/documents/portlet_file_entry/1245344/dmas_2005.194_d02d.jpg/90857fd7-98fd-16ae-f7e8-9480704d99e9"&gt;
  &lt;br&gt;  &lt;/p&gt;
    &lt;p&gt;April 2025&lt;/p&gt;
    &lt;h4&gt;Home sweet home for a nice cup of tea&lt;/h4&gt;
    &lt;p&gt;This small teapot originally belonged to the Hough family, who
  lived at Braunston Marina and worked on the canal. Teapots like this
  one were a common feature in the cabins of canal families and often
  handed down through the generations.&lt;img data-fileentryid="58006774"
    src="https://ragm.co.uk/documents/d/rugby-art-gallery-museum/2004-11-1_d01"
  width="295"&gt;This distinctive style of pottery is known as Measham ware
  or Barge ware and was produced in the late 1800s at Measham on the
  Ashby Canal in Leicestershire. Measham ware also made other household
  items, such as jugs, pots, and jars for domestic use on canal boats.
  The type of glaze is known as treacle ware because of its rich, glossy
  brown finish. During production items could be personalised with a
  sentiment or family name. This one is embossed with the words “Home
  Sweet Home,” surrounded by decorative motifs of flowers and birds.
  Standing at just 16cm in height, the teapot has a miniature teapot
  finial on the lid, although it is sadly damaged at the handle. By
  1910, production of Measham ware had ceased as interest in this style
  began to decline.&lt;/p&gt;
    &lt;p&gt;You can see this teapot as part of our new social history display
  Collecting Rugby, from 9th April to 4th October.&lt;/p&gt;
    &lt;p&gt; &lt;/p&gt;
    &lt;h3&gt;March 2025&lt;/h3&gt;
    &lt;h4&gt;Bellows to blow you away!&lt;/h4&gt;
    &lt;p&gt;These hefty bellows, measuring 150cm in length, were donated to
  the   museum in 2022. They came from the forge at Willoughby near
  Rugby   where they had been used until the 1970s by Fred Wooldridge. &lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="55335648"
    src="https://ragm.co.uk/documents/portlet_file_entry/1245344/bellows+in+situ+.jpg/743a386a-3d46-ab95-4223-1113baa157da"
  width="372"&gt;   &lt;br&gt; During the Second World War, the forge was kept
  busy with the   repair of farm machinery. The bellows would have been
  in constant use   to keep the metal hot in the fire. Fred’s routine
  involved travelling   between two locations on his motorcycle with a
  sidecar. On Mondays,   Wednesdays, and Fridays, he worked in
  Willoughby, and on Tuesdays,   Thursdays, and Saturdays, he worked at
  the forge in Harborough Magna.&lt;/p&gt;
    &lt;p&gt;By the early 1950s, the demand for blacksmiths to repair farm
  machinery began to decline. This was due to the introduction of light
  tractors, like the Little Grey Ferguson. The work at the forge changed
  to the shoeing of horses used for riding rather than farm work.  By
  then Fred just had the forge at Willoughby, working six days a week.&lt;/p&gt;
    &lt;p&gt;Fred finally retired in 1972, bringing an end to his working life
  as a blacksmith.&lt;/p&gt;
    &lt;p&gt; &lt;/p&gt;
    &lt;h3&gt;February 2025&lt;/h3&gt;
    &lt;h4&gt;   &lt;strong&gt;A key for Alms&lt;/strong&gt; &lt;/h4&gt;
    &lt;p&gt;This chunky key, measuring 13cm in length, is from alms house
  number 1 that stood in Church Street in Rugby. &lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="53035272"
  src="https://ragm.co.uk/documents/portlet_file_entry/1245344/key.jpg/72cb2308-ce5c-e3cb-48cc-bab358d56251"&gt; &lt;/p&gt;
    &lt;p&gt;Alms houses were built to provide accommodation for the elderly
  and   poor, often established by wealthy benefactors who were keen to
  support their local communities as part of their legacy. &lt;/p&gt;
    &lt;p&gt;Rugby-born merchant Lawrence Sheriff (c1515-1567), a prominent
  trader in spices and goods and a member of Queen Elizabeth’s court,
  left funds in his will towards the building of four alms houses and a
  grammar school in Rugby. &lt;/p&gt;
    &lt;p&gt;The school, originally founded in a room adjacent to or part of
  Sheriff’s family home on Church Street, near St. Andrew’s Church, was
  relocated to its present location in 1740 and became known as Rugby School.&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="53035294"
  src="https://ragm.co.uk/documents/portlet_file_entry/1245344/picture+of+alms+houses+before+they+were+demolished.jpg/3dd7717b-0a2c-efe4-33bf-b2ee335f7fb1"&gt;
  &lt;br&gt; &lt;br&gt; The first four of what would eventually become twelve alms
  houses were built opposite the church. These houses were rebuilt and
  extended in the nineteenth century, but all twelve were demolished in
  the early 1960s to make way for a parade of shops.&lt;br&gt;  &lt;/p&gt;
    &lt;h4&gt; &lt;/h4&gt;
    &lt;h4&gt; &lt;/h4&gt;
    &lt;h3&gt;January 2025&lt;/h3&gt;
    &lt;p&gt;   &lt;strong&gt;Grindr - Roman Style&lt;/strong&gt; &lt;/p&gt;
    &lt;p&gt;This month’s object of the month is a large worked stone that has
  recently been donated to the museum.&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="51521782"
  src="https://ragm.co.uk/documents/portlet_file_entry/1245344/worked+stone+from+Cotswold+Archaeology+report+%281%29.jpg/7c4e04d0-d890-8c66-149e-6f9d3beb92f4"&gt;Between
  2015 and 2019 Cotswold Archaeology carried out an extensive
  archaeological excavation of the land ahead of the Houlton development
  to the east of Rugby.&lt;/p&gt;
    &lt;p&gt;Most of the finds discovered are Roman, the majority of which are
  pottery, glass, hobnails, carpentry nails and various worked stones,
  including this one which dates to the 2nd century.&lt;/p&gt;
    &lt;p&gt;The stone is broken into six fragments. The grinding area has
  evenly spaced pock marks across the surface, and it measures roughly
  74cm in diameter (but it is not perfectly circular).&lt;/p&gt;
    &lt;p&gt;It is likely the stone originally ground grain with human or
  animal   power, but it was found with other worked stones within the
  backfill   of a corn dryer oven. Corn dryers were commonly used on
  rural Roman   sites to heat and dry newly harvested grain so that it
  could be stored   over winter. Discarded or broken worked stones made
  useful building   materials for a corn dryer structure.&lt;/p&gt;
    &lt;p&gt;This stone is currently in the ‘What’s New?’ display at Rugby Art
  Gallery and Museum, featuring a selection of recent acquisitions to
  the museum, on until 5th April 2025.The object of the month this month
  is a tree-mendously old Christmas t&lt;u&gt;r&lt;/u&gt;ee bought in 1924.&lt;/p&gt;
    &lt;p&gt; &lt;/p&gt;
    &lt;h3&gt;December 2024 Object of the Month&lt;/h3&gt;
    &lt;p&gt;   &lt;strong&gt;100 year old Christmas Tree: It's
  tree-mendous!&lt;/strong&gt; &lt;/p&gt;
    &lt;p&gt;The one-hundred-year-old tree was owned by George Faulkner (who
  passed away in 2016) and his wife Margery who was originally given the
  tree by her mother who had purchased it from Woolworths in Rugby for
  just 6d.&lt;img data-fileentryid="45694384"
  src="https://ragm.co.uk/documents/portlet_file_entry/1245344/IMG_0066.jpg/6b7553e1-608f-1f83-7f97-080e0d9436ab"&gt; &lt;/p&gt;
    &lt;p&gt;The Woolworths shop in Rugby first opened on High Street in
  October   1922. The Rugby Advertiser reported on the first day of
  opening that   from 7:15am people had started to arrive with several
  hundred outside   before the store opened at 9am. The new shop
  “thronged all day with an   eager crowd anxious to secure the bargains
  offered for sale.”&lt;/p&gt;
    &lt;p&gt;The American grocers and household chain had arrived in the UK in
  1909 and for many years every product sold had the price limit of
  sixpence, using the slogan in its adverts ‘Nix over six’.&lt;/p&gt;
    &lt;p&gt;This little tree measures less than a metre high and includes the
  decorations that had been owned by Margery and her mother. On the ends
  of some of the branches there are candle holders so real candles could
  be added.&lt;/p&gt;
    &lt;p&gt; &lt;img data-fileentryid="45694322"
    src="https://ragm.co.uk/documents/portlet_file_entry/1245344/box.jpg/11bdbf48-024f-e593-1df0-1cb9443f3f54"
  width="226"&gt;      &lt;img data-fileentryid="45694428"
    src="https://ragm.co.uk/documents/portlet_file_entry/1245344/tree.jpg/266838b0-16a1-26c9-d543-b58099024523"
  width="213"&gt;   &lt;br&gt;  &lt;/p&gt;
    &lt;p&gt;Christmas tree traditions started in this country thanks to
  Prince   Albert bringing the custom of a decorated tree over from
  Germany and   the idea caught on with the Victorians.&lt;/p&gt;
    &lt;p&gt;Woolworths were the first to sell mass produced artificial trees
  in   the 1920s making this tree one of the oldest of its kind.&lt;/p&gt;
    &lt;p&gt; &lt;/p&gt;
    &lt;h3&gt;November 2024 Object of the Month&lt;/h3&gt;
    &lt;p&gt;   &lt;strong&gt;Protesting the Ban: A Public Outcry!&lt;/strong&gt; &lt;/p&gt;
    &lt;p&gt;The object of the month for November is a photograph of a protest
  march along Evreux Way which took place in Rugby 40 years ago this month.&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="9099378"
  src="https://ragm.co.uk/documents/portlet_file_entry/1245344/dmas_EF2432.3_d01+i+%281%29.jpg/a5edd032-4717-9e6b-59ac-5bacda5cc49c"&gt;
  &lt;br&gt;  &lt;/p&gt;
    &lt;p&gt;Rugby Borough Council had recently introduced an equal
  opportunities policy, stating there should be no discrimination on the
  grounds of race, nationality, sex, religious beliefs, marital status
  or sexual orientation. When it was voted on at a council meeting in
  September 1984 an amendment was carried to delete sexual orientation
  from the policy.&lt;/p&gt;
    &lt;p&gt;There was a public outcry and a campaign, ‘Stop the lesbian and
  gay   ban’ was formed, led by Councillor Jeff Coupe (wearing an
  armband in   the photo). The rally and march were organised for 10th
  November 1984   and saw a thousand people attend from across the
  country, including   gay rights groups and NALGO, the local government union.&lt;/p&gt;
    &lt;p&gt;During the rally at the Benn Hall, MP Chris Smith gave a speech.
  Introducing himself, he said “&lt;i&gt;My name is Chris Smith. I’m
    the Labour MP for Islington South and Finsbury, and I’m gay”
  &lt;/i&gt;making history as the first openly gay MP in the country.&lt;/p&gt;
    &lt;p&gt;In February 1985 the dispute finally came to an end with a new
  policy statement drawn up by the council which included the paragraph:
  ‘The council has no procedures or recruitment practices to
  discriminate against existing employees or job applicants on the
  grounds of sexual orientation and will appoint and promote the best
  qualified, the most capable and the most suitable candidates.’&lt;/p&gt;
    &lt;p&gt; &lt;/p&gt;
    &lt;h3&gt;October Object of the Month&lt;br&gt; &lt;strong&gt;Roman
  Chatelaine&lt;/strong&gt; &lt;/h3&gt;
    &lt;p&gt;   &lt;strong&gt;The Roman Make up Bag!&lt;/strong&gt; &lt;/p&gt;
    &lt;p&gt;This delightful chatelaine brooch is made of copper alloy and
  decorated with blue and yellow petal shaped enamel pieces.  It was
  found at the Roman settlement of Tripontium (4 miles north-east of
  present day Rugby). The site was excavated by the Rugby Archaeological
  Society over a 40-year period.&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="8951053"
  src="https://ragm.co.uk/documents/portlet_file_entry/1245344/RBC+MUSEUM-44+%281%29.jpg/f5b1c17d-ddeb-0b48-6966-f3bf579729d2"&gt;
  &lt;br&gt;  &lt;/p&gt;
    &lt;p&gt; &lt;/p&gt;
    &lt;p&gt;The brooch dates from the late 1st – early 2nd Century and would
  have served a practical use, for holding small tools for the lady of
  the house to use for personal grooming. Examples included: nail files,
  tweezers, nail cleaners/toothpick, ear scoop and cosmetic spoon. Roman
  make up was mixed and applied using spoons. Cleanliness was an
  important part of Roman culture. Unfortunately, this brooch wasn’t
  found with any tools attached and it is missing the horizontal bar
  along the bottom to suspend tools from.&lt;/p&gt;
    &lt;p&gt; It is possible that chatelaine brooches were also seen as status
  symbols for the female that owned them having a high position in a
  household. Brooches such as this were exclusively female items.&lt;/p&gt;
    &lt;p&gt;The type of jewellery at Tripontium is very similar to that found
  over the rest of Roman Britain. It also includes rings, bracelets and
  necklaces, many of which were made of glass or bronze.&lt;/p&gt;
    &lt;p&gt; &lt;/p&gt;
    &lt;p&gt;The brooch and some examples of cosmetic tools are on display in
  the Archaeology Gallery at Rugby Art Gallery and Museum.&lt;/p&gt;
    &lt;p&gt; &lt;/p&gt;
    &lt;p&gt; &lt;/p&gt;
    &lt;h3&gt;SEPTEMBER Object of the Month&lt;br&gt; &lt;strong&gt;&amp;quot;Get your Apples
    and Oranges!&amp;quot;&lt;/strong&gt; &lt;/h3&gt;
    &lt;p&gt;   &lt;strong&gt;'Rugby Market Place' by Joseph Pike&lt;/strong&gt; &lt;/p&gt;
    &lt;p&gt;The object of the month for September is this delightful pencil
  drawing ‘Rugby Market Place’ by Joseph Pike (1883-1956).&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="8728545"
  src="https://ragm.co.uk/documents/d/rugby-art-gallery-museum/2008-8"&gt; &lt;/p&gt;
    &lt;p&gt;This drawing is included in the book 'Rugby: A Series of Pencil
  Sketches' by Joseph Pike, published by A &amp;amp; C Black of London in 1930.&lt;/p&gt;
    &lt;p&gt;Similar books had already been illustrated on Chester, Stratford,
  and Bruges.&lt;/p&gt;
    &lt;p&gt;Pike visited Rugby and met with local bookseller George Over to
  get   an understanding of the scenes in the town he should capture for
  the   book. Over half the illustrations feature Rugby School. The
  introduction covers the town’s history, with a particular focus on the
  school, which was written by H.C Bradby, an assistant master there
  from 1892-1929.&lt;br&gt;  &lt;/p&gt;
    &lt;p&gt;The pencil drawing captures stalls on a market day in Market
  Place,   as the book tells us:&lt;/p&gt;
    &lt;p&gt;“Rugby's principal market is for cattle, and is held on Mondays
  in   huge yards near the L.M.S. Station: but on a Saturday we shall
  find   stalls of fruit and vegetables and fish and clothing standing
  in the   Market Place, and the country people coming to buy, on the
  same ground   and in the same fashion as their forefathers bought and
  sold ever   since Henry Ill granted a market by Charter.”&lt;/p&gt;
    &lt;p&gt;The idyllic scenes also hint at contemporary life with the
  inclusion of the motor car and marketgoers in fashions of the era.&lt;/p&gt;
    &lt;p&gt; &lt;/p&gt;
    &lt;p&gt;Pike was an established commercial artist, known for his pencil
  drawings of street scenes, churches and landmarks across the country,
  which were widely reproduced in books and postcards. He exhibited at
  the Royal Academy in Summer 1924 with a drawing of the Old Curiosity
  Shop in London, as immortalised by Charles Dickens. His address in the
  Royal Academy brochure is given as ‘Brook Green Studios’ which refers
  to the art school that had recently been opened in Hammersmith by the
  artist Leon Underwood.&lt;/p&gt;
    &lt;p&gt; &lt;/p&gt;
    &lt;p&gt;This drawing, along with several others by Pike appear in
  ‘Picturing Rugby’, on now at Rugby Art Gallery and Museum until 5th October.&lt;/p&gt;
    &lt;p&gt; &lt;/p&gt;
    &lt;h2&gt;AUGUST Object of the Month&lt;/h2&gt;
    &lt;p&gt;   &lt;strong&gt;Pig in a ditch?&lt;/strong&gt; &lt;/p&gt;
    &lt;p&gt;   &lt;strong&gt;Roman lead pig found in ditch alongside Watling
  Street&lt;/strong&gt; &lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="8591702"
  src="https://ragm.co.uk/documents/portlet_file_entry/1245344/lead+pig+%281%29.jpg/6dec760d-b234-623d-fa31-78110e39aa1b"&gt;
  &lt;br&gt;  &lt;/p&gt;
    &lt;p&gt;This impressive lead pig (or ingot) was excavated at the site of
  Tripontium from a ditch alongside the Roman road of Watling Street
  (now the A5). &lt;br&gt; Tripontium was a small Roman settlement first
  established between 43-50AD. It straddled Watling Street - the busy
  imperial highway which ran from London to Wroxeter and Chester. The
  route was in constant use by the Imperial Postal Service, who would
  stop at settlements like Tripontium to get fresh horses. Other
  travellers and army personnel also stopped there for shelter, food and
  to have a bath in the bath house.&lt;/p&gt;
    &lt;p&gt;The ingot is inscribed SOCIOR LVT BR EX ARG, which translates
  fully   as ‘product of Lutudarensian partners; British lead from the
  lead-silver works’. This tells us that it was produced in the mine of
  Lutudarum, which was located close to Crich in Derbyshire. The shape
  and imperial stamp on the top of the ingot establishes it to be of
  Roman origin. This type of imperial stamp went out of use after
  163-169AD, so we know that it predates this period. It is likely that
  it was a part of a batch, en route to London. Nearly 60cm in length
  and at a weighty 79kg (143lb) one theory is that it fell from a cart
  and was too heavy to retrieve. &lt;/p&gt;
    &lt;p&gt;Lead was mined in Derbyshire from the Bronze Age until the
  mid-19th   century. The wealth of minerals, including lead and silver,
  was a   major factor in the Romans expansion into Britain. Lead was
  used to   make piping, gutters and was alloyed with tin to make
  pewter. Silver   was extracted from the lead and was used in the
  production of Roman coins. &lt;/p&gt;
    &lt;p&gt;   &lt;br&gt; The ingot is one of 50 objects on display as part of ‘A
  History   of Rugby in 50 Objects’ on now at Rugby Art Gallery and Museum. &lt;/p&gt;
    &lt;h2&gt;July Object of the Month&lt;/h2&gt;
    &lt;p&gt;   &lt;strong&gt;Meet Mr Benn&lt;/strong&gt; &lt;/p&gt;
    &lt;p&gt;   &lt;strong&gt;&amp;quot;As if by magic ... the shopkeeper
  appeared&amp;quot;&lt;/strong&gt; &lt;/p&gt;
    &lt;p&gt;This panel came from a section of a door at Bennfield House.  The
  house was built in North Street, Rugby in 1669 and was the home of the
  Benn Family. &lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="8410064"
  src="https://ragm.co.uk/documents/portlet_file_entry/1245344/dmas_2009.16_d01+reduced+size.png/b7bbc914-28b5-853d-123c-a09f07c87b2f"&gt; &lt;/p&gt;
    &lt;p&gt;   &lt;br&gt; The Benns were a wealthy local family. Thomas and Maria
  Benn were   married in 1813 and had five sons. The sons gave a lot to
  local   concerns, funding building work on St Andrews Church, local
  schools   and the building of the clocktower. Because the brothers
  never   married, whatever fortunes they had passed down the line to
  the   youngest, George, being the last to die in 1895. In his will
  were many   bequests to local charities and organisations. He also
  left the deeds   to the Shoulder of Mutton Inn to the town and a
  bequest to the local   board for the provision of ‘town buildings’.
  This was built on the   site of the Inn on High Street and was known
  as the Benn Building. The   council offices were relocated to their
  new site on Evreux Way in the   1960s with the adjoining venue the
  Benn Hall.&lt;br&gt; The glass panes   feature two paintings: the larger one
  shows the George Inn, Market   Place, Rugby c. 1810. The inn was built
  in the 1650s and demolished or   destroyed by a fire in the 1840s and
  a new hotel was built on the   site. In 1954 the hotel was replaced
  with shops.&lt;br&gt; The smaller pane   shows a lady carrying a basket. The
  high waistline of her dress and   apron date it to the Regency
  fashions of the early 1800s. &lt;br&gt; The   panel is on display in our
  current temporary exhibition ‘Picturing   Rugby’ on until 5th October
  in the Local History Gallery. &lt;/p&gt;
    &lt;p&gt; &lt;/p&gt;
    &lt;h4&gt;June Object of the Month&lt;/h4&gt;
    &lt;p&gt;   &lt;strong&gt;1944 Target Rugby&lt;/strong&gt; &lt;/p&gt;
    &lt;p&gt;Luftwaffe map showing Rugby's key sites&lt;/p&gt;
    &lt;p&gt;To mark the 80th anniversary of the D-Day landings this month
  we’ve   chosen a Second World War map of Rugby for the object of the
  month.  &lt;/p&gt;
    &lt;p&gt;This map was found in an aerodrome by the donor’s husband who was
  air force ground staff following the D-Day landings.&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="8199868"
  src="https://ragm.co.uk/documents/portlet_file_entry/1245344/rugby+d-day+map+1dmas_2004.4_d01.jpg/5d79abe4-b7bc-dbd7-4368-3602a5ed8404"&gt;
  &lt;br&gt;  &lt;/p&gt;
    &lt;p&gt;The D-day operation took place on 6th June 1944 and saw over
  150,000 Western Allies invading by sea and air on the Normandy coast
  of France with the aim to liberate Europe from Nazi Germany’s control.
  It was a key turning point in the war and gave the Allies a foothold
  in France.&lt;/p&gt;
    &lt;p&gt;   &lt;br&gt; This crumpled map entitled 'Special Edition'
  (Sonderausgabe!)   shows key sites and infrastructures which would
  have been German   Luftwaffe targets for a bombing raid in Rugby.
  Primary targets were   outlined in red and secondary ones in purple.
   They included: British   Thompson-Houston, Willans Works, Hunters
  Wagon Works, the railways,   gas works, hospitals and water supplies.  &lt;/p&gt;
    &lt;p&gt;Despite this Rugby suffered few attacks during the war. One lone
  intruder in 1941deposited all its bombs across New Bilton (demolishing
  part of the Willans Works office frontage), the main railway lines and
  almost hitting the water pumping station in Mill Road.  The German
  bomber reportedly crashed near Lilbourne. &lt;/p&gt;
    &lt;p&gt;   &lt;br&gt; The map is currently on display as part of A History of
  Rugby in   50 Objects. &lt;br&gt;  &lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2024-05-28T11:07:00Z</dc:date>
  </entry>
  <entry>
    <title>A good match?</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=7913760" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=7913760</id>
    <updated>2024-04-30T15:03:40Z</updated>
    <published>2024-04-30T11:28:00Z</published>
    <summary type="html">&lt;p&gt;   &lt;img data-fileentryid="7913523"
  src="https://ragm.co.uk/documents/portlet_file_entry/1245344/dmas_2004.304_d01.jpg/e13e0ade-46e1-3f58-801d-89e79e555636" /&gt;
  &lt;br /&gt;  &lt;/p&gt;
    &lt;p&gt;This month’s object of the month is featured in our current local
  history display Picturing Rugby.&lt;/p&gt;
    &lt;p&gt;Matchbox covers appeared in the early 19th century as way of
  protecting cardboard or wooden matchboxes. As a frequently used item,
  boxes were easily damaged to the point where they couldn’t be used for
  striking matches. &lt;br /&gt; More ornate covers, owned by the wealthy,
  were made of silver, enamelled, or engraved. Cheaper metals, wood or
  papier mâché were used for mass produced covers, although they still
  carried decorations, such as this one. They were also used as
  souvenirs and advertising. &lt;/p&gt;
    &lt;p&gt;   &lt;br /&gt; This matchbox cover features a small painting, possibly
  in oil   paints, of Whitehall cottage in Rugby.  It is made from metal
  and   would fully cover the top and bottom of a box of matches. The
  sides   are left largely open to allow the matches to be struck on the
  side of   the box. On the base of the matchbox is a handwritten label
  which   reads: 'White Hall, Clifton Road, Warwickshire. By Elizabeth
  Sarah Ann   Cox. Rugby.'&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="7913773"
  src="https://ragm.co.uk/documents/portlet_file_entry/1245344/dmas+back+small+%281%29.png/fdc1e100-6d15-1fb1-b067-5a1376568b9a" /&gt;
  &lt;br /&gt;  &lt;/p&gt;
    &lt;p&gt;This building stood at the junction of Clifton Road and Lower
  Hillmorton Road.  A good match?&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="7913507"
  src="https://ragm.co.uk/documents/portlet_file_entry/1245344/Whitehall+Redding+collection+copy+of+Speight+photograph.jpg/5fc58084-dac8-c560-3353-99f1750cf0f9" /&gt;
  &lt;br /&gt;  &lt;/p&gt;
    &lt;p&gt;The cottage was demolished in the 1870s to expand the junction.&lt;/p&gt;
    &lt;p&gt;Picturing Rugby is on at Rugby Art Gallery and Museum until 5th
  October. &lt;br /&gt;  &lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2024-04-30T11:28:00Z</dc:date>
  </entry>
  <entry>
    <title>Jet ready, jet set, GO!</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=7601848" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=7601848</id>
    <updated>2024-03-27T14:36:12Z</updated>
    <published>2024-03-27T11:03:00Z</published>
    <summary type="html">&lt;p&gt;Th&lt;img data-fileentryid="7607023"
    src="https://ragm.co.uk/documents/portlet_file_entry/1245344/FW+in+1944.jpg/76bffcdd-4f2b-13b8-7b10-5ce35eec942f"
    style="height: auto;width: 308.0px;float: left;" width="308" /&gt;is
  plaque commemorates the first test run of the jet-propelled engine at
  British Thomson Houston in Rugby in April 1937. &lt;br /&gt; It was unveiled
  in 1987 by the inventor, Sir Frank Whittle (1907-1996), to mark the
  50th anniversary of the test.  It was originally on the wall of
  Building 86/86a at the site.&lt;br /&gt; As a young man he joined the RAF
  and was recommended for officer training in 1926. During his training
  he wrote a thesis on the future development of aircraft engine design.
  In this he first mentioned the potential for forms of propulsion such
  as turbine engines.&lt;br /&gt; He patented the ideas in 1930. After
  studying Mechanical Sciences at Cambridge, he was approached by ex RAF
  men, Rolf Williams and Collingwood Tinling, about exploring
  development of his engine. With a bank loan they incorporated as Power
  Jets Ltd, and work began soon after on an experimental engine at
  British Thomson Houston. The first test run was made on 12th April
  1937. &lt;br /&gt; Vic Cox who worked as an apprentice at BT-H at the time
  remembers the day of the first test;&lt;br /&gt; “The engine eventually
  started and as it gained speed the noise rose to a low shriek,
  increasing as the decibels and the speed became higher and higher.
  Everyone in the vicinity including me ran for cover and hid behind the
  large stanchions…Finally the howl decreased as the engine was stopped.
  We all came out from hiding looking more than a little scared. The hot
  jet had burnt all the paint off the engine shed which was in line with
  the exhaust”. &lt;/p&gt;
    &lt;p&gt;Although it wasn’t entirely successful it did prove that the
  engine   worked and was enough to gain interest from the Air Ministry.
  Whittle   continued to be based at Brownsover Hall but testing soon
  moved to a   disused factory in Lutterworth ending the engine testing
  in Rugby and   British Thomson Houston’s involvement.&lt;br /&gt; The plaque
  is one of 50   objects on display in A History of Rugby in 50 Objects
  at Rugby Art   Gallery and Museum. &lt;br /&gt;  &lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2024-03-27T11:03:00Z</dc:date>
  </entry>
  <entry>
    <title>Man with a Van ...1960s style</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=7334678" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=7334678</id>
    <updated>2024-02-29T15:10:47Z</updated>
    <published>2024-02-28T15:40:00Z</published>
    <summary type="html">&lt;p&gt;   &lt;img data-fileentryid="7334669" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/2023.1.94_d01.jpg/b294597a-53e2-1e88-c510-9c64573cf738" /&gt;&lt;/p&gt;
    &lt;p&gt;March's object of the month is this black and white photograph of
  a   van owned by Lennon Bros Ltd., who were a local firm of
  tobacconists.&lt;br /&gt; The Lennon family moved to Rugby in 1904. In 1911,
  the family lived at “The Globe Hotel” on Railway Terrace.&lt;br /&gt; One of
  the partners of Lennon Bros. Ltd., Ernest Patrick Lennon (1889-1965),
  was also a member of the Borough Council between 1938-1961. Lennon
  Close in Hillmorton was named after him and was built in the late 20th
  Century.&lt;br /&gt; His brother, Lionel Lennon (1894-1916), was also a
  partner. Lionel joined the Honourable Artillery Company in 1916. He
  was killed on the 29th September during a heavy artillery
  engagement.&lt;br /&gt; They operated at sites including Railway Terrace,
  and at 15a Market Place, on the corner of Chapel Street, where a large
  sign is still visible on the side of the building today. &lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="7339778"
  src="https://ragm.co.uk/documents/portlet_file_entry/1245344/IMG_2129.jpeg/990fdc96-252a-4850-fb87-143072d687f4" /&gt;
  &lt;br /&gt; &lt;br /&gt; Other businesses that have been at 15a Market Place have
  included The Tin Miner’s Pastry Co. Ltd, Supa Snaps, That’s Shoe
  Business, and Mr Simms Olde Sweet Shop. &lt;br /&gt; The model of vehicle is
  a Bedford CA. They were light commercial vehicles produced in Bedford,
  Luton, between 1952-1969.&lt;br /&gt; The photograph was taken in March 1962
  by Rodney H. Huntingford. More images taken by this photographer of
  local businesses and vehicles are currently on display in our social
  history exhibition, “Reddings Around Rugby”.&lt;br /&gt; Do you have
  information or memories of Lennon Bros. Ltd.? Please get in touch as
  we would love to know more.&lt;br /&gt;  &lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2024-02-28T15:40:00Z</dc:date>
  </entry>
  <entry>
    <title>An 'unabated' interest in Rugby</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=7193320" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=7193320</id>
    <updated>2024-01-31T16:07:12Z</updated>
    <published>2024-01-30T09:57:00Z</published>
    <summary type="html">&lt;p&gt;This blue plaque is from Richard Henry Wood’s former residence on
  Little Church Street in Rugby where he lived from 1874 to 1894. &lt;br /&gt;
  Wood was an important local figure in the town and a generous
  benefactor, most noted for his large contribution to the Hospital of
  St Cross. He also founded the town’s first public library. &lt;br /&gt; Born
  in Manchester in February 1820, he became a stockbroker and a business
  partner to an iron merchant, from which he amassed considerable
  wealth. He moved to Rugby in 1874 where he held positions of the
  Deputy Lieutenant and Justice of the Peace for Warwickshire. &lt;br /&gt; Mr
  and Mrs Wood took an interest in local causes and wanted to use their
  money to help the people of Rugby. In 1882 he donated land in Barby
  Road along with £10,000 for the construction of The Hospital of St
  Cross which opened in 1884. &lt;br /&gt; He owned buildings on St. Matthews
  Street, where he founded the library in 1890. The complex was known as
  The Wood Institute. It was his intention that the building would be
  expanded to create a museum, but the idea was not embraced by the
  library committee, whose income was very low, and so this was sadly
  not seen in his lifetime. &lt;br /&gt; In his old age he moved to Sidmouth
  in Devon for health reasons. Wood continued to contribute to an
  endowment fund at St Cross and kept his position on the hospital Board
  of Management.  He died in 1908 from heart failure following a
  chill. &lt;br /&gt; The obituary in the Rugby Advertiser on 2nd May 1908
  stated, &lt;br /&gt; “Although separated from Rugby by many miles, his
  interest in the town and its various institutions was unabated till
  the end”.&lt;/p&gt;
    &lt;p&gt;The plaque is currently on display in A History of Rugby in 50
  Objects. &lt;br /&gt;  &lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2024-01-30T09:57:00Z</dc:date>
  </entry>
  <entry>
    <title>Ice Station Rugby</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=7031642" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=7031642</id>
    <updated>2024-01-18T16:20:54Z</updated>
    <published>2023-12-19T15:18:00Z</published>
    <summary type="html">&lt;p&gt;   &lt;img data-fileentryid="7031648" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/2000.353.18.jpg/bb823dad-4b0c-0010-647a-0bd3ffdd80de" /&gt;&lt;/p&gt;
    &lt;p&gt;   &lt;em&gt;2000.353.18&lt;/em&gt;&lt;/p&gt;
    &lt;p&gt;For January’s object of the month we look back at some wintery
  weather with a photograph of the Oxford Canal near Hillmorton Locks
  taken 42 years ago in January 1982. It shows large chunks of broken
  ice on the canal’s surface. Many boats had been left ice-bound by the
  cold weather. The photograph was taken by Joseph Hogg who worked on
  the canals for many years. &lt;/p&gt;
    &lt;p&gt;In early December 1981 the severe cold snap began and continued
  through to mid-January. It was one of the coldest winters in living
  memory as people endured blizzard conditions and the lowest ever
  recorded temperature in England (-26.1 C in Shropshire). &lt;br /&gt; Snow
  caused travel chaos locally and one Saturday open air market in Rugby
  saw only 10 of 200 stalls open for business. &lt;br /&gt; After the freeze
  came the thaw which led to the River Avon bursting its banks, flooding
  hundreds of acres of farmland and both Leicester Road and Newbold
  Road. &lt;br /&gt;  &lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2023-12-19T15:18:00Z</dc:date>
  </entry>
  <entry>
    <title>The key to the road!</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=6933381" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=6933381</id>
    <updated>2023-11-30T16:00:02Z</updated>
    <published>2023-11-30T15:56:00Z</published>
    <summary type="html">&lt;p&gt;   &lt;br /&gt; Hiltons Garage was on North Street in Rugby from 1903 to
  the 1960s. &lt;/p&gt;
    &lt;p&gt;Originally started by George Hilton as a cycle repair shop, it
  expanded as the motoring public needed vehicle servicing along with
  petrol pumps by the roadside. This leather keyring was given to
  customers with the keys to their new car.&lt;/p&gt;
    &lt;p&gt;The large site, which included lock ups, service areas and a
  sales   floor, was bought in the 1970s to make way for the new
  shopping centre complex. &lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="6933400" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/2023.1.13_d01.jpg/64f5bff2-7671-afc6-4129-83377e2edba5" /&gt;&lt;/p&gt;
    &lt;p&gt;The keyring is currently on display in the Local History Gallery
  as   part of the Redding Around Rugby exhibition with photographs of
  the   Hiltons site in the 1960s along with many more local scenes from
  the   era. The publicity shots were taken by Rodney H Huntingford who
  ran   the &lt;strong&gt;Redding Photographers&lt;/strong&gt; business from the
  1930s to   the 1970s.&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="6933523" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/2023.1.31_d01.jpg/8220b72c-f740-5822-7f9a-376fcf877cfa" /&gt;&lt;/p&gt;
    &lt;p&gt;The exhibition is on until 6th April 2024.&lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2023-11-30T15:56:00Z</dc:date>
  </entry>
  <entry>
    <title>Rugby's Warship</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=6740143" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=6740143</id>
    <updated>2023-10-31T11:46:55Z</updated>
    <published>2023-10-31T11:34:00Z</published>
    <summary type="html">&lt;p&gt;This shield was presented to the Borough of Rugby by the Lords
  Commissioners of the Admiralty to commemorate the adoption of the HMS
  Keppel by the Borough during Warship Week. &lt;img alt="Current Image" src="https://services.rugby.gov.uk/documents/portlet_file_entry/1245344/sheild1.jpg/03b12f3d-a035-9147-02c3-fc8de2433e66?imagePreview=1" /&gt;&lt;/p&gt;
    &lt;p&gt;During the Second World War, cities, towns and villages organised
  Warship Weeks to raise money to meet the cost of providing a
  particular naval ship. The scheme was introduced by the National War
  Savings Committee.  Once enough money had been raised for the ship,
  the local community would adopt the ship.&lt;/p&gt;
    &lt;p&gt;HMS Keppel was an active destroyer. Its role was sinking German
  submarines and picking up survivors of vessels sunk by German submarines.&lt;/p&gt;
    &lt;p&gt;Rugby’s warship week took place in March 1942 and saw the target
  of   £210,000 reached within the first few days by local businesses
  including large donations from British Thomson-Houston and Rugby
  Building Society. This was subsequently raised to £350,000.
  Fundraising activities took place throughout the week and a total of
  £471, 215 was finally raised for the ship. &lt;/p&gt;
    &lt;p&gt;Lord Kindersley, President of the National Savings Committee
  wrote   to The Mayor of Rugby after the event:&lt;/p&gt;
    &lt;p&gt;&amp;quot;I am writing to ask you to accept personally, and to convey
  to all others who contributed to the success of Rugby Warship Week, my
  warmest thanks and appreciation.  This fine effort, resulting in the
  adoption of HMS Keppel, will not only forge a closer link between the
  people of Rugby and the Royal Navy, but will also provide a lasting
  record of their patriotism.&amp;quot;&lt;/p&gt;
    &lt;p&gt;   &lt;br /&gt; You can see the plaque on display in our current
  exhibition ‘A   History of Rugby in 50 objects’ at Rugby Art Gallery
  and Museum.&lt;br /&gt;  &lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2023-10-31T11:34:00Z</dc:date>
  </entry>
  <entry>
    <title>And the walls came tumblin' down</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=6452978" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=6452978</id>
    <updated>2023-09-29T15:59:26Z</updated>
    <published>2023-09-28T14:22:00Z</published>
    <summary type="html">&lt;p&gt;We are very lucky to have a dynamic and flexible space which is
  mainly due to our panelock wall system. The system works with the
  walls hanging from a metal track, allowing them to move across the
  whole gallery space and locking in all different ways to enable us to
  adapt and change the look and feel of the exhibitions. For some shows
  like the Rugby Open we need maximum wall space. The Gallery officer
  will try to accommodate as many walls as possible and make the gallery
  exciting space for work to hide behind other walls so your journey is
  always a surprise around the gallery. Other exhibitions need space and
  viewing areas so fewer walls are better. In which case the walls are
  rolled into the storage room and the space is opened up. We did this
  for the previous Rugby Collection show curated by David Remfry. &lt;/p&gt;
    &lt;p&gt;   &lt;strong&gt;     &lt;img data-fileentryid="6453274"
      src="https://ragm.co.uk/documents/portlet_file_entry/1245344/walls+loaded+on+truck.jpg/13440c78-1884-9119-2ce0-ff0086e05430"
      style="height: auto;width: 154.0px;float: right;" width="154" /&gt;&lt;/strong&gt;&lt;/p&gt;
    &lt;p&gt;The wall system was put in when the gallery opened in 2000 and
  therefore makes the system 23 years old. Over this period of time, the
  wall mechanisms for locking the walls in place have worn and made the
  manoeuvring of them difficult, not only this but with approx. 5
  exhibitions a year over 23 years, the walls have seen approx.
    &lt;strong&gt;115 layers of paint&lt;/strong&gt; making them heavier and harder
  to move. Whilst we have diligently maintained the walls over the
  years, they have now well exceeded their 15 year life span and it is
  now the point where they are unsafe to handle and replacement parts
  are nigh on impossible to find.&lt;/p&gt;
    &lt;p&gt;Progress is well under way.  All of the walls have been lifted
  out   of the building with a hoist (fitted at the time the gallery was
  opened). The contractors have made the project look easy and are
  confident that we are on schedule as planned.  Weather dependent, the
  new and improved walls will arrive by lorry next week and will be
  hoisted in the same way into the gallery, where specialist fitters
  from Panelock themselves will attach the walls to the track system
  (which isn't being replaced). &lt;/p&gt;
    &lt;p&gt;The project hasn't been without its challenges.  The building
  entrance and hoist sits in the very small staff car park.   A very
  narrow alleyway does not give good access to big vehicles, and we have
  had to think carefully and plan for all eventualities.  Working
  together with all stakeholders we have managed to devise a plan to
  ensure the walls safe arrival into the gallery.  The largest walls
  which are situated in our drum gallery are 4m tall and not the easiest
  thing to handle or manoeuvre, particularly when they are being hoisted
  into the air!   The gallery staff were all very excited to see the
  hoist used - the first time since the original wall install.  With our
  new found confidence and experience using the hoist who knows what the
  future will hold with large scale sculptures being loaned for shows!
  (Not sure we should promise this but it's true!) &lt;/p&gt;
    &lt;p&gt;The new walls will come with a first coat allowing the team to
  put   the final coat of paint on once all the walls are installed.  We
  predict this to take two weeks and be ready in time for us to add the
  sparkle of colour for the Rugby Open! But what colour will we choose
  for this year's show? Any recommendations? &lt;/p&gt;
    &lt;p&gt;   &lt;br /&gt;  &lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2023-09-28T14:22:00Z</dc:date>
  </entry>
  <entry>
    <title>Birch Rod</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=6308558" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=6308558</id>
    <updated>2023-08-30T18:41:33Z</updated>
    <published>2023-08-29T15:59:00Z</published>
    <summary type="html">&lt;p&gt;Birch Rod 2004.371&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="6308563" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/cane+2004.371.jpg/36c28d1f-858d-51c6-4ff4-2c9f1fafa446" /&gt;&lt;/p&gt;
    &lt;p&gt;This birch rod was owned and used by Dr Thomas Arnold (1795-1842). &lt;/p&gt;
    &lt;p&gt;Dr Arnold was the renowned headmaster at Rugby School from
  1828-1842. He reformed the school and increased intake of pupils by
  100 during his time as headmaster. He was immortalised in the novel
  ‘Tom Brown School Days’ written by Thomas Hughes in 1857. The birch
  rod, made up of a bundle of long twigs, was used to punish boys at the
  school.  &lt;/p&gt;
    &lt;p&gt;It was given to the first Rugby library for their museum
  collection. The library was founded by local philanthropist Richard
  Henry Wood and opened in 1891. &lt;/p&gt;
    &lt;p&gt;This birch rod along with 49 other objects will be on display in
  our new exhibition A History of Rugby in 50 Objects opening at Rugby
  Art Gallery and Museum on the 7th October. &lt;br /&gt;  &lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2023-08-29T15:59:00Z</dc:date>
  </entry>
  <entry>
    <title>Cigarette Card</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=6172104" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=6172104</id>
    <updated>2023-08-01T10:13:05Z</updated>
    <published>2023-08-01T09:46:00Z</published>
    <summary type="html">&lt;p&gt;   &lt;img data-fileentryid="6172406"
  src="https://ragm.co.uk/documents/portlet_file_entry/1245344/bth+rufc.jpg/826f3803-718a-6898-1696-f71b8a7e32b4" /&gt;
  &lt;br /&gt; &lt;br /&gt; &lt;br /&gt; This month’s object of the month is a cigarette
  photocard featuring British Thomson- Houston (BTH) RUFC team. It was
  produced in 1936 by the Ardath Tobacco Company. It is number 8 (of
  110) in Series E ‘Midlands Football Teams’ produced by the company.
  Also in the same series was the BTH Football Club. &lt;/p&gt;
    &lt;p&gt;On the reverse of the card are listed the names of club members.
  The photograph was taken outside the BTH recreation clubhouse on
  Hillmorton Road in Rugby recognisable from the beautiful glass door
  and brick archway. &lt;/p&gt;
    &lt;p&gt;The rugby team at BTH was founded in 1923 and was one of a number
  of sports teams and social clubs at the company.  &lt;/p&gt;
    &lt;p&gt;In the 1930s many major cigarette brands contained cards in their
  packets. These were avidly collected and traded by both adults and
  children. Along with sports teams, other series featured: the royal
  family, politicians, film stars, animals and famous landmarks. &lt;/p&gt;
    &lt;p&gt;This card and the history of clubs and societies in Rugby is on
  display in our current exhibition Join Our Club on until the 23rd September. &lt;/p&gt;
    &lt;p&gt;Left to right, back row: A.Chesterton, E.Haywood, M.Rees.&lt;br /&gt;
  Middle row: B. Taylor (Sec.), A. King, R. Chilsholm, P. Ruggles, T.
  Procter, W. Ingram, S. Wallace, R. Barker, E. Aust, L. Ward
  (Referee).&lt;br /&gt; Front Row: G. Wright, T. Cook, R. Ellis, G. Bellamy,
  R. Longland (Capt.). K. Kinchin, E. Hatton, W. Perry.&lt;/p&gt;
    &lt;p&gt;   &lt;img data-fileentryid="6172426"
  src="https://ragm.co.uk/documents/portlet_file_entry/1245344/cigarette+card+reverse.jpg/d06c659d-6ebd-0191-8d7d-095a8cb6c34e" /&gt;
  &lt;br /&gt; &lt;br /&gt;  &lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2023-08-01T09:46:00Z</dc:date>
  </entry>
  <entry>
    <title>The Mayor's Journal</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=6033247" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=6033247</id>
    <updated>2023-07-04T09:09:57Z</updated>
    <published>2023-07-04T08:53:00Z</published>
    <summary type="html">&lt;p&gt;This month’s object of the month is the Mayor’s Journal for Mayor
  Councillor F.J. Press, J.P for the year 1953-1954&lt;/p&gt;
    &lt;p&gt;Frederick James Press (1909-1964) was Rugby's youngest ever
  Mayor,   aged 44. His wife was Elsie Winifred Mullock (1909-1997).
  They had two sons.&lt;/p&gt;
    &lt;p&gt;The journal was bought at a postcard fair in Birmingham before
  being donated to the museum last year. It contains many photographs,
  invitations and menus as well as a diary of what was going on in Rugby
  during that year. It was compiled by staff at the library. The Mayor
  and Mayoress were extremely busy during the Coronation Year and
  attended at least one function most days and sometimes up four engagements.&lt;/p&gt;
    &lt;p&gt;One photograph shows the Mayor and Mayoress at Deepmore Road
  Coronation Party which was one of the many street parties and
  celebrations which were held in Rugby that summer.&lt;/p&gt;
    &lt;p&gt;   &lt;img alt="Current Image"
    src="https://services.rugby.gov.uk/documents/1452224/1452258/deepmore+rd.jpg/5a536582-d051-cf5d-6848-f3f2b4badb32?version=1.0&amp;amp;t=1688461633046"
  style="display: block;margin-left: auto;margin-right: auto;" /&gt; Other
  engagements that year included :attending the Civic Sunday ceremony at
  St Andrews church,  presenting Coronation gifts to local schools,
  attending the opening performance of Warwickshire Coronation Pageant
  in the grounds of Warwick Castle, meeting actress Jane Hylton at the
  reopening of Regent Cinema, attending BTH Fire Brigade’s annual
  interworks competition, Rugby Engineering Society’s Golden Jubilee
  celebrations, Rugby and District Chrysanthemum Society show, the
  opening of the new cattle sheds and sale ring at Rugby Cattle Market,
  presentation of the freedom of the Borough to Douglas Edgar Biart
  (town clerk since 1932) and the 390th Shakespeare’s Birthday
  celebrations in Stratford Upon Avon. They also attended many dinner
  dances and balls in Rugby and across the county.&lt;/p&gt;
    &lt;p&gt;The album contains the Mayor’s portrait at the front of the book
  which was taken by Rodney Huntingford of Redding’s Studio every year.&lt;/p&gt;
    &lt;p&gt;The book was presented at the meeting of Rugby Borough Council on
  Tuesday 26th October 1954.&lt;/p&gt;
    &lt;p&gt; &lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2023-07-04T08:53:00Z</dc:date>
  </entry>
  <entry>
    <title>Be prepared!</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=5857958" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=5857958</id>
    <updated>2023-06-02T12:10:05Z</updated>
    <published>2023-06-02T11:56:00Z</published>
    <summary type="html">&lt;p&gt;   &lt;img data-fileentryid="5858063" src="https://ragm.co.uk/documents/portlet_file_entry/1245344/2005.14.1.jpg/3c800665-746e-c617-fa56-c08793ac135d" /&gt;&lt;/p&gt;
    &lt;p&gt;This Girl Guide shirt belonged to Nancy Keightly (nee Beere) and
  dates from the 1920s. It is currently on display in our Join Our Club
  exhibition. &lt;br /&gt; The Scout movement was founded by Robert
  Baden-Powell in 1908. It is the world's largest voluntary organisation
  for boys and girls. The Girl Guides was founded by Baden-Powell and
  his sister Agnes in 1910. The aim of the Girl Guides is to help
  develop new skills and confidence.&lt;br /&gt; Nancy went to Bilton School
  and was one of the six founding members of the 1st Bilton Guides which
  started in 1921. She stayed in the Guides until she was 21 and was
  called a Ranger when she got to aged 16. &lt;br /&gt; Nancy helped out at
  church services:&lt;br /&gt; “We went to Church Parade at St. Mark’s Bilton,
  usually on special occasions like Armistice Sunday or Wakes Sunday and
  two Guides would carry the flags to the Rector and place them at the
  altar. I remember going to a Sunday Evening Service at St Andrew’s
  Church in Rugby and had to take the collection bags round, I was a bit
  worried, but we were told what to do.”&lt;br /&gt; In the summer they went
  camping around the country, always staying on farms. They had to make
  their own hessian bag 6ft x 3ft to take with them which they filled
  with straw from the farmer’s barn to sleep on. &lt;br /&gt; Nancy earned a
  number of badges during her years as a Guide which have been sewn onto
  the right sleeve of her uniform. They include: Laundress (iron),
  Needlewoman (scissors), Handywoman (crossed tools), Naturalist (sun),
  Cyclist (wheel), Housekeeper (crossed keys). &lt;br /&gt;  &lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2023-06-02T11:56:00Z</dc:date>
  </entry>
  <entry>
    <title>Fit for a King</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=5746040" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=5746040</id>
    <updated>2023-05-16T13:03:46Z</updated>
    <published>2023-05-16T13:01:00Z</published>
    <summary type="html">&lt;p&gt;   &lt;img data-fileentryid="5745946"
  src="https://ragm.co.uk/documents/1245344/5370965/grsquare.jpg/a21d6101-5c92-421e-a2ad-58599125bf0c?t=1684242029867" /&gt;
  &lt;br /&gt; To mark the Coronation of King Charles III this month’s object
  of the month is a souvenir from the last King’s coronation in 1937.&lt;/p&gt;
    &lt;p&gt;This small tin was produced by Oxo as a memento for the
  Coronation   of King George VI. It features a double portrait of the
  new King and   royal consort Elizabeth.  It originally held 6 Oxo
  cubes and has a   slit along the lid for it to be re-used as a
  souvenir money box. Also   on the box are illustrations of a rose,
  daffodil, thistle, and   shamrock to represent the countries of the
  United Kingdom.&lt;/p&gt;
    &lt;p&gt;Oxo first produced cubes in 1910, making beef extract into a
  convenient and cheap product for the savvy housewife. The company
  sought innovative ways to publicise the brand whether adding ‘OXO’ to
  the tower of their building on South Bank, London, being one of the
  first sponsors of the Olympic games (at the London Olympics in 1908)
  or producing souvenir tins such as this one.&lt;/p&gt;
    &lt;p&gt;In May 1937 King George VI was crowned. He had not been the heir
  until his brother (Edward VIII) had abdicated in December 1936 in
  order to marry Wallis Simpson, but the date of the 12th May was kept
  the same for the coronation ceremony.  &lt;/p&gt;
    &lt;p&gt;In Rugby there were many celebrations including a procession
  through town, Punch and Judy shows, musical performances and fireworks displays.&lt;/p&gt;
    &lt;p&gt;This money box is on display in our current local history
  exhibition Rugby’s Coronations which is on until 23rd September.&lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2023-05-16T13:01:00Z</dc:date>
  </entry>
  <entry>
    <title>Easter Bonnet</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=5412044" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=5412044</id>
    <updated>2023-04-04T11:02:05Z</updated>
    <published>2023-04-04T10:40:00Z</published>
    <summary type="html">&lt;p&gt;   &lt;br /&gt;  &lt;/p&gt;
    &lt;p&gt;   &lt;img alt="Current Image" src="https://www.ragm.co.uk/documents/1452224/1452258/hat+edit.jpg/3d68a4bb-4e76-42ad-7b94-5b2929f86262?version=1.0&amp;amp;t=1680605000964" /&gt;&lt;/p&gt;
    &lt;p&gt;April's object of the month is a blue bowler hat worn by football
  supporters on 30th April 1983, when VS Rugby won the FA Vase after
  defeating Halesowen Town in the Wembley Stadium final.  The only goal
  of the game was scored by Ian Crawley.&lt;/p&gt;
    &lt;p&gt;The bowler hats found their way to the victorious players as they
  celebrated on the famous turf and shared their success with several
  thousand fans in the 14,537 crowd.&lt;/p&gt;
    &lt;p&gt;Club founder, former player and long serving secretary, Keith
  Coughlan shared this memory:&lt;/p&gt;
    &lt;p&gt;“When VS Rugby Football Club Won the FA Vase it was an
  outstanding   triumph in the town of Rugby’s sporting history. What’s
  even more   remarkable was that this happened just 27 years after a
  group of   self-financed teenage boys from the New Bilton area of
  Rugby, had   played their first ever competitive game as Valley Sports
  Football   Club. I’m proud of the club’s achievement and the pleasure
  it brought   to so many people.”&lt;/p&gt;
    &lt;p&gt;Members of the team who played at the national stadium meet up
  annually and along with club officials and supporters, will celebrate
  the 40th anniversary of winning the trophy this month. &lt;/p&gt;
    &lt;p&gt;The hat and other memorabilia from the event are currently on
  display in our Join Our Club exhibition on until 23rd Sept.&lt;br /&gt;  &lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2023-04-04T10:40:00Z</dc:date>
  </entry>
  <entry>
    <title>For Home and Country</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=5100285" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=5100285</id>
    <updated>2023-03-01T10:37:19Z</updated>
    <published>2023-03-01T10:24:00Z</published>
    <summary type="html">&lt;p&gt;   &lt;strong&gt;For Home and Country Women’s Institute Badge&lt;/strong&gt;
  &lt;br /&gt; The Women's Institute started in Canada in 1897.  The first
  Women’s Institute group in the UK was set up in 1915 to help the war
  effort during the First World War. Members often organised activities
  such as country walks and tea parties to help keep evacuee children
  occupied and entertained. &lt;br /&gt; Today their purpose is bringing women
  together, providing educational opportunities and the chance to make a
  difference in their communities.&lt;br /&gt; This badge was worn throughout
  the Second World War. On the left-hand side there is a red rose to
  depict the British group and on the right-hand side there is a red
  maple leaf to represent Canada.  It was made by W.O. Lewis (Badges)
  Ltd in Birmingham.&lt;br /&gt; It was worn by Brenda Clayton (nee Whittaker)
  who worked for three years at Normandy Farm near Rugby Radio Station
  with the Women's Land Army during the war. She remembered seeing
  bombers flying overhead and Coventry burning in the distance during
  The Blitz. &lt;br /&gt; This badge is on display in our current exhibition
  Join Our Club until 23rd September. &lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2023-03-01T10:24:00Z</dc:date>
  </entry>
  <entry>
    <title>Be my Valentine</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=4936385" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=4936385</id>
    <updated>2023-01-30T12:20:42Z</updated>
    <published>2023-01-26T16:09:00Z</published>
    <summary type="html">&lt;p&gt;Our object of the month for February is featured in our current
  social history exhibition Join Our Club.&lt;/p&gt;
    &lt;p&gt;This poster advertises the BTH (British Thomson-Houston Co. Ltd.)
  Foremen’s Association St Valentine’s Dance on Thursday 14th February
  1946 in the Co-Operative Hall, Chapel Street, Rugby.&lt;/p&gt;
    &lt;p class="MsoSubtitle"&gt;British Thompson Houston was established in
  Rugby in 1902. Rugby was chosen as their first UK site due to its
  central location with excellent transport links and in 1902 the
  factory opened its doors at its Mill Road site. The company became
  known for production of heavy engineering equipment particularly steam
  turbines, electrical motors, generators, electrical lamps and meters.
  During the Second World War the site expanded to make room for the
  production of apparatus used in aircraft and submarines.  The workload
  was so great during this time that the Research Laboratories expanded
  by three times their normal size. A night shift was also introduced
  that included female staff for the first time.&lt;/p&gt;
    &lt;p&gt; &lt;/p&gt;
    &lt;p&gt;As a large employer in the town care for employees was a high
  priority.  As well as the Foremen’s Association, there was an active
  Long Service Association and an Ex-Servicemen’s Association.  These
  encouraged comradeship and pride in the company.  There was also the
  Recreation Club with a wide range of sports activity.&lt;/p&gt;
    &lt;p&gt;The Foreman’s Association held regular social functions, visits
  and   dances throughout this time.&lt;/p&gt;
    &lt;p&gt;At this Valentine’s Day dance there was music from Harvey
  Cawthorne’s orchestra and Tom Ward and his band. Harvey Cawthorne and
  his orchestra regularly played at old time dances in and around Rugby
  during the 1940s.&lt;/p&gt;
    &lt;p&gt;Tom Ward was well known in Rugby for leading a popular dance
  music   band from the 1930s - 1960s. He also ran a music shop on
  Regent Street.&lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2023-01-26T16:09:00Z</dc:date>
  </entry>
  <entry>
    <title>Happy Christmas from Rugby</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=4726466" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=4726466</id>
    <updated>2022-12-16T16:04:23Z</updated>
    <published>2022-12-13T16:23:00Z</published>
    <summary type="html">&lt;p&gt;&lt;img src="https://ragm.co.uk/documents/1245344/1453655/2001.37.jpg/dc75d08a-5c29-9d35-e097-f6a7c917406a?t=1670948424045&amp;amp;imagePreview=1" /&gt;&lt;br /&gt;
&lt;br /&gt;
This Christmas card features a black and white drawing of the Clock Tower and the Royal George Hotel and dates from the 1950s&amp;nbsp;&lt;/p&gt;

&lt;p&gt;&amp;nbsp;It shows the Market Place before it was pedestrianised.&lt;/p&gt;

&lt;p&gt;On the back is printed: 'One of the last views of the Royal George Hotel, the oldest licensed house in the town; at one time known as the 'Wheatsheaf', its name was later changed to 'The George and Wheatsheaf Inn'. It obtained its name the 'Royal George' from the fact that one night Princess Mary, a daughter of George III stayed there. &amp;nbsp;&lt;/p&gt;

&lt;p&gt;The building dated from the 1840s and it was demolished in the mid 1950s to make improvements to the road.&lt;/p&gt;

&lt;p&gt;The Clock Tower was built to commemorate the Golden Jubilee of Queen Victoria and was finished in 1889.&lt;/p&gt;

&lt;p&gt;Inside the card is printed: 'With Christmas Greetings and Best Wishes for your Happiness in the Coming Year from Oliver and Daisy Underwood.’&amp;nbsp;&lt;br /&gt;
Oliver Underwood was descended from Charles Wesley, the Methodist poet, and William Parnell, who brought Methodism to Rugby and founded Parnell's building company.&lt;/p&gt;

&lt;p&gt;&lt;br /&gt;
 &lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2022-12-13T16:23:00Z</dc:date>
  </entry>
  <entry>
    <title>Brownie points</title>
    <link rel="alternate" href="https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=4583369" />
    <author>
      <name>Tammany Heap</name>
    </author>
    <id>https://ragm.co.uk/c/blogs/find_entry?p_l_id=715&amp;entryId=4583369</id>
    <updated>2022-11-15T12:49:17Z</updated>
    <published>2022-11-15T12:33:00Z</published>
    <summary type="html">&lt;p&gt;&lt;img src="https://ragm.co.uk/documents/portlet_file_entry/1245344/brownies2.jpg/566bbeee-c4d5-6531-ace8-2464f7f83548?imagePreview=1" /&gt;&lt;br /&gt;
&lt;br /&gt;
This Brownie Guide Test Card belonged to Joy Collet of the Crick Brownie pack who joined the pack in July 1935.&amp;nbsp;&lt;br /&gt;
The front of the card features a brown owl sitting in a tree and a Brownie sitting on a toadstool looking up at it. Written on the front is 'We're the Brownies, Here's our aim, Lend a hand, And play the game'. The inside of the card details the enrolment ceremony for a new recruit, and the recruit test.&amp;nbsp;&lt;br /&gt;
The Brownie was expected to know her Brownie promise, the Law, the motto, the Salute, the Smile, the Good Turn, the Fairy Ring, and to be able to tie up her own hair and plait her own hair (if her hair was bobbed she had to know how to part it straight) and to wash the tea things.&amp;nbsp;&lt;br /&gt;
The tests which then followed while the girl was a Brownie included knowing the composition of the Union Flag, being able to sew and knit, being able to catch a ball, knowing the Semaphore alphabet, knowing the eight points of the compass, being able to clean shoes, being able to skip 30 times without a break, and being able to bind a grazed knee. Joy passed all of these by December 1937.&lt;br /&gt;
Also on the card is the Brownie promise:&lt;br /&gt;
'I promise - To do my best:-&lt;br /&gt;
1. To do my duty to God and the King&lt;br /&gt;
2. To help other people every day, especially at home.'&lt;br /&gt;
The Brownie law:&lt;br /&gt;
'The Law of the Brownie pack is -&amp;nbsp;&lt;br /&gt;
1. The Brownie gives in to the Older Folk&lt;br /&gt;
2. The Brownie does not give in to herself.'&lt;br /&gt;
and the Brownie Motto:&lt;br /&gt;
'Lend a Hand'.&lt;br /&gt;
This card features in our ‘Join Our Club’ display in the local history gallery at Rugby Art Gallery and Museum until 17th June 2023.&amp;nbsp;&lt;/p&gt;</summary>
    <dc:creator>Tammany Heap</dc:creator>
    <dc:date>2022-11-15T12:33:00Z</dc:date>
  </entry>
</feed>
